A Quote by Lilith Saintcrow

The end of a gun looks very big and very back when it's staring you in the face. — © Lilith Saintcrow
The end of a gun looks very big and very back when it's staring you in the face.
It is very hard to stay alive just for your own sake. It is very hard to stare into day after day without another familiar face staring back. It turns your heart into a purposeless muscle.
If you want to know what true art is: Go outside on a clear night, wait until it gets very, very dark, then look up! You will see no rules of composition, no evidence of superior technique. Yet, you will be staring into the very face of pure, unadulterated beauty and wonder. That is the unattainable Ideal for which I must constantly strive.
If you live in America, you need a gun, and I am not very fast with a gun, so I think I would walk out very quickly.
The reason I became 297 pounds is because that was comfortable. What was very uncomfortable was running. What was very uncomfortable was being on a diet. What was very uncomfortable was trying to face things that I didn't want to face. And I also realized, when I was really big, I had no growth. Why? Because I was living comfortable.
I like to put my iPad on the window and leave it there for however long the journey is, so that I'm staring out, and it's staring out. We're kind of staring out together. It's very poetic to me, watching that absent-minded passing of time. You realize how much you've taken in. What is left of that memory of you staring out of the window for an hour? It's all on the iPad.
If the guy has a gun, that's the power. He doesn't need to wave the gun; he just needs to point the gun in a very relaxed fashion.
Very softly, but very swiftly, Last, the man with the grey face and the staring eyes, bolted for his life, down and away from the White House. Once in the road, free from the fields and brakes, he changed his run into a walk, and he never paused or stopped, till he came with a gulp of relief into the ugly streets of the big industrial town. He made hi way to the station at once, and found that he was an hour too soon for the London express. So, there was plenty of time for breakfast; which consisted of brandy.
I feel that I'm in a very interesting position, where I'm standing back to look at this change, at this moment in history of human beings. If the end of the civilization comes before the end of my life, that's lucky! I want to witness how this big story of humans ends.
My guess is that my mom and dad are very actively involved in the affairs of the next life, and they don't spend too much time looking back. My dad used to say he always looks forward; he never looks back.
I used to feel more straight for certain months and then just think about boys all the time I'm attracted to women who are very, very boyish. I'm not very big on big mammaries. I have a tendency to be attracted to very, very boyish girls. And usually very feminine men.
I was very happy with Vampire's Kiss, which in my opinion was almost like an independent laboratory to start realizing some of my more expressionistic dreams with film performance. Then using what I had learned in Vampire's Kiss and putting it into a very big action movie in the form of Face/Off with John Woo. If you look at those two movies back to back, you can see where I stole from my performance in Vampire's Kiss.
When I see these young girls who are dreaming the dream that I'm living, it's very very exciting and it puts a big smile on my face.
I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging.
It snowed all day long, fortunately it didn't stay on the road. It was very, very cold today. Fortunately, the wind was at my back. The terrain was rolly but not big hills. The first miles were like usual tough, but I felt quite good from there till the end of 10 miles.
It's very, very technical, what we do in film. While all of the lights are there and all of the crew members and directors are staring right at you, you have to be honest. It's a very difficult, but technical medium.
When you look at the... atmosphere on the limb of the Earth, I wouldn't say it looks unhealthy, but it definitely looks very, very fragile and just kind of like this thin film, so it looks like something that we definitely need to take care of.
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