A Quote by Lillete Dubey
I'm always thinking, 'What next,' even while working on one play or shooting for a film.
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When I look back I either feel I did this mistake while shooting or writing. Eventually you try and make sure you do not repeat the same mistake with your next film. I always feel I could have made the film better.
People working in films are somewhat like gypsies: we move from set to set and spent weeks, sometimes even longer working while shooting a film. Right from the spot boys to the make-up guys and cast and crew, we become a kind of family.
When Carpenter was shooting 'Vampires' in New Mexico when I was living there, I desperately tried to get a job working on that film, and I couldn't. So my first job as a PA was on a CBS movie of the week that was shooting next door, and whenever I could, I would sneak over so I could watch.
Direction is something that interests me. Even while shooting, I always have conversations with the director to get a better understanding of shooting technicalities.
I write one step at a time, always finishing off the part I'm working on before even thinking about the next part. I need to hear it all together before deciding what goes next. I even mix before moving on...in other words, I write by recording.
The most difficult thing about shooting guns instantly on film is to not pull a silly face while the gun is going off, because it's always a bit of a shock. So you find yourself sticking your tongue out or blinking or whatever. So the hardest thing is to keep a straight face while you're shooting a gun.
I've always been really good at staying busy. Even while I'm working, I'm looking at what the next thing is.
While directing in theater that the actors will - I don't know if it's competitiveness or what it is, but they love to make each other laugh. They love to impress each other in rehearsal. They'll try something for a reaction. But in film, you're very often not all together in the room at the same time. You're shooting one day, somebody else is shooting the next. It's a totally different dynamic.
If you make a film, that magic is not there, because you were there while shooting it. After writing a film and shooting it and being in the editing room every day, you can never see it clearly. I think other people's perception of your film is more valid than your own, because they have that ability to see it for the first time.
In doing everything, from coming up with the ideas and putting them on paper till doing the final edits, you are always thinking the next three steps, you're always thinking what next, what next, what next?
I noticed while working on Green Lantern that the actor - albeit forefront in the film, obviously, and the key focus for the audience - is kind of the smallest cog in the machine when you're shooting.
I had got this far, and was thinking of what to say next, and as my habit is, I was pricking the paper idly with my pen. And I thought how, between one dip of the pen and the next, time goes on, and I hurry, drive myself, and speed toward death. We are always dying. I while I write, you while you read, and others while they listen or stop their ears, they are all dying.
You have to keep shooting, even on tough shooting nights. You have to believe the next shot is going in.
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
You sort of have to be always aware, even when you're not thinking of shooting. That's when the best stuff happens.
Even if you're doing a film, you're in the news while the shooting is on and during promotions. But once it's over, the limelight fades away, and you wait for something better to come your way.
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