A Quote by Lillian Hellman
Nobody outside of a baby carriage or a judge's chamber believes in an unprejudiced point of view.
Related Quotes
I told my students the other day in class, which is about the spirituality and creativity as much as it is about music. I said, 'If you're walking down the street and you see a baby carriage, and there's a baby in the carriage; you look down and your eyes meet the eyes of the baby. The baby looks at you: That's the kind of moment you're in when you're playing.
It gives liberty and breadth to thought, to learn to judge our own epoch from the point of view of universal history, history from the point of view of geological periods, geology from the point of view of astronomy.
Once I decide to take on a role it's because I find that guy to be really interesting to watch and very compelling to play. And from that point on I can no longer judge him. I can only take on his point of view in order to play him effectively. And his point of view is often not mine.
I just want to give my fans a place to go where they can be free and nobody will judge them, because life is more interesting when you're looking at it from the outside. I don't think you need to be on the outside looking in; I think you should enjoy the outside.
[On how she goes about trying to live authentically] Well really listening to my point of view and if I am on a set, say, that doesn't really value a woman's point of view, regardless of how they feel, continuing to give my point of view and try to find a way to be heard and not diminishing myself because other people are diminishing me. Because that, I think, is the worst temptation that, you know, you judge yourself by how others are judging you, and to fall into that trap is to walk into the realm of self-annihilation.
A pure mind in a chaste body is the mother of wisdom and deliberation; sober counsels and ingenuous actions; open deportment and sweet carriage; sincere principles and unprejudiced understanding; love of God and self-denial; peace and confidence; hol
Most writers begin with accounts of their first home, their family, and the town, often from quite a hostile point of view-love/hate, let's say. In a way, this stepping outside, in an attempt to judge enough to create a duplicate of it, makes you an outsider. . . . I think it's healthy for a writer to feel like an outsider. If you feel like an insider you get committed to a partisan view, you begin to defend interests, so you wind up not really empathizing with all mankind.
I take a biocentric point of view. I look at things from the point of view of the Earth and the laws of ecology. As opposed to the anthropocentric point of view, where everything revolves around humanity.
I believe that God protected me. I've experienced many miracles. One day, my father was arrested as I stood nearby on the street. A total stranger who was pushing a baby carriage took my hand and put it on the handle of the carriage, as if I were her child. As soon as it was safe for me, she let me walk home.
To view any individual as being independent of relationality is like viewing a point outside of a line, a line outside of a figure, a figure outside of a body.
From a high-tech point of view, an agriculture point of view, a goods-and-services point of view, a great deal of [committee Democrats] have no choice except to support allowing America access to these markets.
But every point of view is a point of blindness: it incapacitates us for every other point of view. From a certain point of view, the room in which I write has no door. I turn around. Now I see the door, but the room has no window. I look up. From this point of view, the room has no floor. I look down; it has no ceiling. By avoiding particular points of view we are able to have an intuition of the whole. The ideal for a Christian is to become holy, a word which derives from “whole.
I don't judge my characters, and that's my job not to judge them. It's my job to treat them with respect and to just look at it from their point of view.
There's a view of Montana writing that seems stage-managed by the Chamber of Commerce - it's all about writers like A. B. Guthrie and Ivan Doig. It used to bother me that nobody had a scene where somebody was delivering a pizza.
All I can tell you is what I see at home- a lot of lessons learned from '86. That, 'OK, we'll go one-time amnesty and after that we'll really be good.' But nobody believes it this time, nobody believes it.
I realized early on in writing the book that it needed to be from a family point of view, and that nobody outside the family would weigh in. And then well into writing it, the question became how to balance the perspectives; how to switch between chapters.
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