A Quote by Lillie Langtry
Why in the world would anyone want to photograph an old woman like me?
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When I say I want to photograph someone, what it really means is that I'd like to know them. Anyone I know I photograph.
Accept that, like many men, you have a streak of the homoerotic in you. Why would you, why would anyone, want to be that straight?
A photograph never grows old. You and I change, people change all through the months and years but a photograph always remains the same. How nice to look at a photograph of mother or father taken many years ago. You see them as you remember them. But as people live on, they change completely. That is why I think a photograph can be kind.
My old mind hadn’t been capable of holding this much love. My old heart had not been strong enough to bear it. Maybe this was the part of me that I’d brought forward to be intensified in my new life. Like Carlisle’s compassion and Esme’s devotion. I would probably never be able to do anything interesting or special like Edward, Alice, and Jasper could do. Maybe I would just love Edward more than anyone in the history of the world had ever loved anyone else. I could live with that.
I want blood! Two of Aksel’s dogs cornered me near Tondara. They shot me. Those bastards actually shot a hole in my stabilizer the size of Mirala…Aren’t you going to say something? (Syn) Were you hurt? (Nykyrian) No. (Syn) Then why are you having a fit? (Nykyrian) I don’t know, it just felt right. You see why I don’t like being sober? I overreact like an old woman. (He opened his flask, then slammed it down on Nykyrian’s desk.) Figures the damned thing would be empty. (Syn)
Why anyone would want to leave Everton is beyond me anyway. Even for Manchester United, Chelsea or anyone. This is the place to be.
I was invited to photograph Hollywood. They asked me what I would like to photograph. I said, Ugly men.
its no surprise to me that anyone hardly tells the truth about how they feel. The smart ones keep to themselves for good reason. Why would you want to tell anyone anything that's dear to you? Even when you like them and want nothing more than to be closer to them? It's so painful to be next to someone you feel so strongly about and know you can't say the things you want to.
You are the only one of you. From the beginning of time till the end of this world to the end of eternity. There's only one of you ever created. Ev-er. You are the only you. That's pretty powerful. So why on earth would you want to look like anybody else, dress like anyone else, dance like anyone else, be someone else, when you are a legend in your own right?
You ask anyone in college, how would you like your wife or girlfriend to be? No one wants the ugliest girl in the world who no one wants to look at. Out of 100 people, all 100 will say that I want the most beautiful woman in the world.
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
Dear Lord,' he said. 'let me be like Aron. Don’t make me mean. I don’t want to be. If you will let everybody like me, why, I’ll give you anything in the world, and if I haven’t got it, why, I’ll go for to get it. I don’t want to be mean. I don’t want to be lonely. For Jesus’ sake, Amen.
Why would anyone steal a shopping cart? It's like stealing a two-year-old.
If you had told me in 1997 that even 5 people would be waiting online for me to sign my new book in 2009, I would have jumped around like Joe Carter in the 1993 World Series. I love it. I can't imagine why anyone wouldn't like it. The only thing I worry about is carpal tunnel syndrome - my last tour almost caused it.
After I have photographed the way I like to, I feel as I might if I had been making love all day, marvelous and exhausted and wanting to collapse on the floor in a heap. That's why I can't photograph just anybody, and why it's so hard to photograph people on assignment; it's like going to bed with someone not of my choosing.
A photograph of a woman crying tells me nothing about grief. Or a photograph of a woman ecstatic tells me nothing about ecstasy. What is the nature of these emotions? The problem with photography is that it only deals with appearances.
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