A Quote by Lilly Singh

When I started out the videos, I was dealing with depression, and I wanted to make inspiring videos for others, which would end up inspiring me in turn. I wanted to show the world that it was possible to make a positive switch in life and start over.
Oftentimes, our videos are collective ideas from the group, but others, they're personal ideas. I wanted to represent the video, 'Futuro', as humanity in its current state, with some characters who, unfortunately, make decisions for the rest of us. The flying bus on which they're traveling represents life, or the historic moment that we are going through. That's what I wanted to convey.
One of the most positive takeaways I've had from 'SNL' is when we'd make videos back in the day: we'd just write material as we were inspired, and so, in a given year, we'd only put out two or three videos.
When I was a kid, I used to make skateboarding videos, and I would pretend to be in a band and make rock videos that I'd edit with two VCRs.
I have always wanted to be a catalyst for bringing about positive change, inspiring others to choose goodness.
My friend Phil Morrison directed a lot of my favorite videos back in the mid- to late-90s - all the Yo La Tengo videos that were funny, a Juliana Hatfield video. He was such an influence with me, and I wanted to do a video the way Phil used to do videos. I did that for Phil.
Videos is the worst. Let me make it clear: Videos suck. It sucks making a video. It's happy when it's over and edited and online, but making it, it ain't really too much fun.
I really wanted to be able to make the music that acknowledged the metaphysical aspect of extreme sports because when I started watching GoPro videos, the thing that struck me the most was that the sound seemed completely detached from the imagery.
All I ever wanted was to perform, make music, make videos.
I didn't make music videos in order to make a movie. Music videos were the goal for me, so it was never a step to something else. I approached it seriously.
People at shows have told me that they've shown my videos to their parents and families to help them come out of the closet. It's very inspiring that comedy can do that and can help people cope with everyday life and challenges through humor.
I went back to Jamaica after living in New York and started to work on experimental stuff and basically I grew as a filmmaker. I went to film school; I was a PA on a lot of projects and I worked so hard, you know, you're young and I learned from different mentors. And luck put me in the position to work with amazing people. One of my mentors by the name of Little X, who took me under his wing after I came out of film school and moved to New York. I worked in videos for Jay-Z, Pharrell to Busta Rhymes and Wyclef. I quickly realized how much I wanted to make films instead of music videos.
We've always wanted to control the video player for our videos. We really want to evolve how comments on videos work.
I can't stress to you enough how much I can relate to teens being cyberbullied. Something that helps me is looking at old videos of me and my friends from middle school, or videos of my family. I love watching funny videos of my favorite people - it really cheers me up.
I wanted to become a director before I wanted to become a writer. When I was 10, people would ask me what I wanted to be when I grew up, and I said, 'Walt Disney.' I wanted to make films. But I wasn't offered a camera. I was offered language. So I started telling stories in the theatre and then in my novels.
I wanted to make an album that was hopeful and encouraging and inspiring. That was the goal.
My channel is really a positive outlet for people to come every day after school. I make my videos so that people can have something happy to turn to - a positive message. I'm making it okay to talk about stuff.
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