A Quote by Lily Collins
There's so many different things that you can physically change for a character.
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I'm always trying to change things - change my character, change my look, change my hair, change my facial hair, change my costumes, or implement different jackets or catchphrases. I try to keep myself fresh.
There are so many different ways to develop a character - physically, mentally, spiritually and all of that - but the research was really beautiful. I love the process of finding characters because, in the beginning, it's really unknown, and then, by the end of it, all of a sudden, you're walking and talking like that character.
A character like Baahubali required a preparation that I had to undergo mentally and physically - from undertaking a strict routine and a lifestyle, which helped me become the character physically, to knowing the character's depth and a lot more.
In dramatic writing, the very essence is character change. The character at the end is not the same as he was at the beginning. He's changed-psychologically, maybe even physically.
One of the things cognitive science teaches us is that when people define their very identity by a worldview, or a narrative, or a mode of thought, they are unlikely to change-for the simple reason that it is physically part of their brain, and so many other aspects of their brain structure would also have to change; that change is highly unlikely.
There is no one-size-fits-all process. It differs from character to character and priority to priority. Every project has a different priority, and you have to be agile enough physically as well as mentally to shift from one character to another. I think I am fairly decent in that.
If some things aren't going well, do something; never wait for the things to be ok by themselves! Do something; change the direction, change the parameters, change the criteria, change anything you wish to change! To change is to create a new destiny! Remember, you have thousands of different destinies; change is your instrument to switch from one destiny to another! Remember, you have thousands of different destinies!
I want to play so many different characters. I want to, like, understand so many different people, and psychoanalysis, everything. I love that about my job: getting into the character and understanding it and doing the psychoanalysis and creating that character.
Writing for the theater is a whole different can of fish. The music now has the responsibility of so many things. The plot could be giving you different views of the character; the emotional highlights of a moment.
You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, . . . because in the physical change of position you start seeing a whole different relationship.
Every character thinks differently, and every character has a different energy and way that they tick. But to find a character like Kai, who is so far that he doesn't even feel things, he is so different from me. That is the most exciting part.
Things change. Routines change. Things have to change. But change doesn't mean less. It just means different.
I have so many different role models who have taught me so many different things at so many different points in my life, it doesn't feel like I have one person that I have to live up to.
I think my attitude's different when I'm in the different places. I don't walk around in character. I try not to walk around with the accent, but those little things change you, whether it's your hair, your clothes, your shoes or a different silhouette. People absolutely look at you differently.
I got into acting for the chance to be many different people and many different characters. I love hiding in a role and doing the research. If there is an opportunity to change my body, I will change my body. I'll slip in and disguise myself in a role. That is a really big treat for me.
My first two books, I was very close to my main character, stuck inside their head. And then with 'Arrogance,' I broke into many different voices. I introduce many different characters, and that helped me to develop a confidence to move between different characters, between different voices.
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