A Quote by Lily James
When you're filming in Russia in Catherine's Palace, and you're in the real place where the Tsar's ball really happened, all those years ago, it does so much of the work for you. It's so vivid. You escape into this different time through the costumes, the sets and the atmosphere.
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Well, we have got to understand, for example, Russia is an orthodox Christian nation. So is Ukraine. That happened in 988 in Crimea, a place called Kievan Rus, which was the Russia around Kiev at that time. It's 1,000 years ago, but, to a Russian, it's yesterday.
In terms of filming, yes, it really does feel over now. There's a real sense of freedom now. It's a good time to finish, I think. As much as I'm going to miss it I'm ready to move on and do different things.
From the consumer perspective, what happened in the U.S. 10 years ago and Europe five years ago is now happening in Russia. People are beginning to understand that e-commerce is easy and safe.
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
A couple of years ago, I bought my own helicopter, a Robinson R44. I use it occasionally to fly myself to sets where I am filming or to business meetings.
We know that Russia has done things that are very much against our interests. They've done things that require us to take punitive action against Russia. That does not mean we can't work with Russia where we have a common agenda. Russia is a permanent member of the United Nations Security Council; we need their help in isolating North Korea and their nuclear weapons violations. So, we still need to work with Russia. But Russia's done things that are contrary to our national security interest, and the US must respond to those types of activities.
My experience with life is that it's very fragmented. In one place certain kinds of thing occur, and in another place a different kind of thing occurs. I would like my work to have some vivid indication of those differences. I guess, in painting, it would amount to different kinds of space being represented in it.
Yes, business really does change. 400 years ago, corporations were formed by royal decree. 300 years ago, many countries were powered by slave labour, or its closest moral equivalent. 200 years ago, debtors didn't go bankrupt, they went to prison. 100 years ago - well, business is largely the same as it was a century ago. And that's exactly the problem. Business hasn't changed, but today's array of tectonic global shocks demands a different, radically better kind of business. Yesterday's corporations visibly cannot meet today's economic challenges.
The tsar of War and Peace, especially in the BBC version, is a complete popinjay and a useless character. The real tsar, Alexander I, had an amazing career.
The Russians were all really accommodating, and that made it really special. To be allowed in Catherine's Summer Palace...Lily [James] and I have this scene where we fall in love and we waltz up and down this enormous gold hall with thousands of candles and a live orchestra and 300 Russian extras. To do those scenes in situ really meant it was a once-in-a-lifetime job.
Everybody has a different idea of when those good old days were, but everyone is convinced that there was a time when literature really mattered and that it doesn't now. They also tend to believe that it really matters someplace else - in very improbable places often. Russia is someone's idea of a place where literature really counts.
The people on Wall Street broke this country, and they did it one lousy mortgage at a time. It happened more than three years ago, and there has been no real accountability, and there has been no real effort to fix it.
You look at what happened with Chrysler, it went through that bankruptcy, and it's re-emerged in a much different fashion, privately held in some of those things, and it's really putting out a great product.
One of the saddest aspects for me about filming in South Africa was that the real inequalities are still very much in place - and those are economic inequalities.
We haven't seen a real volcanic event at least in 74,000 years - [Mount Toba] in Indonesia, in Sumatra, where the crater itself is 100 kilometers across. It was so monumental, what happened, that for a very long time the entire atmosphere of our planet was darkened. It's not the lava and the heat per se; it's the obscuring of the entire atmosphere, and it made it very difficult for the human race to survive.
All I really know in nonfiction is that when I come home, I've got all these notes and I'm trying to figure out what actually happened to me. I usually kind of know what happened, but as you work through the notes, you find that certain scenes write well and some don't even though they should. Those make a constellation of meaning that weirdly ends up telling you what you just went through. It's a slightly different process, but still there's mystery because when you're bearing down on the scenes, sometimes you find out they mean something different than what you thought.
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