A Quote by Lily James
I can only show what I have received from the characters. That's what's scary because you're never going to be everyone's taste and you don't want to let people down. But, I can only do what I can do.
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What is useful about when there is a sort of pull-out to reveal moment going on is that it actually focuses the mind when you're writing the earlier scenes because you're thinking 'right, how do I? I can only show this amount of the room... I can only show these characters from the waist up because they've all got robot legs!' it's a challenge so it keeps you engaged on some level.
I want to get a handle on the music. There's only so much you can do alone. I want everyone else there. I can't wait until we feel we've got it down and we can really figure out what it's all about! I can't wait to meet Harvey Keitel, too! I'm so used to working with musical theatre people... I'm really curious how he works. He's the only one that doesn't sing in the show - he acts and weaves himself through the show as the ring-master. I hope I learn something from him.
Sometimes you are the only living, walking, breathing version of the Bible that people will ever see. What long-lasting taste are you going to leave in their mouths? A lot of people have left a bad taste. And it's so unfortunate, because God is the best!
These superhero movies are starting to give more love to not only black characters but also to more female characters, which is necessary because you have boys and girls of all colors who are looking at these superheroes saying, 'I want to be that. I want to look like that. Show me somebody that I can automatically connect with.'
...if you're trying to show off for people at the top, forget it. They will look down on you anyhow. And if you're trying to show off for people at the bottom, forget it. They will only envy you. Status will get you nowhere. Only an open heart will allow you to float equally between everyone.
Whatever the regulations are, you can be as dark and disturbing as you want and we're going to go in that direction. The intention is to be as dark and scary as possible with the show. And that was our whole kind of plan going in, to make it scary. So we're going to explore all kinds of things.
'The L-Word' was such a great show because of the amazing writing and characters, but maybe because it was such a new concept, people couldn't pick up on it, but I think it was down to the dynamic characters and how well done it was.
I would say plotting is the most difficult thing for me. Characterization is only hard because sometimes I feel I get so interested in it that I want to talk too much about the characters and that slows the story down. So I say, "Hey, people want to find out what's going to happen next, they don't want to listen to you spout off about this or that person." But I think even the bad guy deserves to tell his side of the story.
But you're almost eighteen. You're old enough. Everyone else is doing it. And next year someone is going to say to someone else 'but you're only sixteen, everyone else is doing it' Or one day someone will tell your daughter that she's only thirteen and everyone else is doing it. I don't want to do it because everyone else is doing it.
When you are young, you think it's going to be solved by love. But it never is. Being close -- as close as you can get -- to another person only makes clear that impassable distance between you.' If being in love only made people more lonely, why would everyone want it so much?' Because of the illusion. You fall in love, it's intoxicating, and for a little while you feel like you've actually become one with the other person. Merged souls and so on. You think you'll never be lonely again.
I start writing with only the vaguest idea about who my characters are and what is going to happen, and the characters and plot come into existence as I go. I've tried doing it the other way, but for me, outlining is a waste of time because I never follow the outline.
I became a journalist because I didn't want to have to rely on the press for information... I only read it to make sure of whatever everyone else thinks is going on, because it's useful to know what people think is the news.
Theatre people, who are an adaptive species, know that to remain sane in the process of production where everyone and his uncle has an opinion about how to fix a show, you must pick the people whose knowledge and taste you trust and stick only to these few. The Tweetocracy is no place to look.
Jews allow to steal lands from Palestinians, only because they are Jews, and those are Palestinian. I want to repeat it, because people here in America don't believe it. We have a new law that settlers allowed to steal private lands of Arabs and take it to Jews. This is an official law. And now they're going to ban everyone who criticize a pure apartheid law. So, in a way, it's horrific. It's only everyone who stand for civil right in the minimum level - liberals, not radical - is not allowed to Israel.
'Bosch' itself - it has a huge fanbase already from the Michael Connelly books, so it was definitely intriguing because you know going in that there's all those people who will want to watch it, and I knew it was going to be a down-and-dirty, gritty, no-make-up part, so that was scary and yet so exciting.
Monsters can be scary, and they're great, but they're only really scary when they're reflections of us and they show you the things you're scared of might be true about your own nature.
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