A Quote by Lily James

Ultimately, 'Cinderella' is the story of the underdog. You root for her in this fairytale; the girl who has nothing, deserves so much more, and gets it. — © Lily James
Ultimately, 'Cinderella' is the story of the underdog. You root for her in this fairytale; the girl who has nothing, deserves so much more, and gets it.
How many times do you read about 'the Cinderella story,' the story of the underdog, the story of the ordinary human being, often subjected to cruelty and ignorance and neglect, who somehow triumphs?
Across all Cinderella versions it was clear that the 21st century was not very much in evidence, particularly in the character of Cinderella so it seemed, it felt actually as though it hadn't been done for quite some time, not with the kind of lushness that we could do it with, with an absolute removal of the passivity of Cinderella and finding an amusing way, a lighthearted but significant way of making her proactive and not a girl who's life is about waiting for a bloke.
I'm kind of a grinder. I'm a Cinderella, an underdog story who fights.
The first core value we have is that everyone deserves a Cinderella experience. And I have experienced a Cinderella experience. And I really believe that most people who've come to Rent the Runway have had a Cinderella experience.
I had to write something and couldn't think of a plot, so I decided to write a Cinderella story because it already had a plot! Then, when I thought about Cinderella's character, I realized that she was too much of a goody-two-shoes for me, and I would hate her before I finished ten pages.
When I was a kid, I really loved watching 'Cinderella.' It's a fantasy, and every girl knows that real life isn't always like these movies, but as a child, I just really loved the story of 'Cinderella.' I found it to be so romantic and just a beautiful movie to watch.
Any consideration of the story we call 'Cinderella' for simplicity's sake must acknowledge that 'Cinderella' has had a dizzying array of personae over hundreds of years, in several cultures. There is no one authoritative tale of 'Cinderella,' only a hall of mirrors with a different face in each reflection.
Cinderella is not only an iconic character when it comes to beauty, grace and fairytale love, but also shoes.
I was the original Cinderella girl, looking for the happy ending in the fairy story. But my fantasy prince never came.
Idea for a short story. The shore of a lake, a young girl who's spent her whole life beside it, a girl like you She loves the lake the way a seagull does, and she's happy and free as a seagull. Then a man comes along, sees her, and ruins her life because he has nothing better to do. Destroys her like this seagull here.
I have a memory of listening to Tracy Chapman and just being intrigued by her voice. Even as a young girl, I wanted to know more about her and her story. I felt I was learning about her through her music. That was a revelation to me.
My daughter had carried within her a story that kept hurting her: Her dad abandoned her. She started telling herself a new story. Her dad had done the best he could. He wasn't capable of giving more. It had nothing to do with her. She could no longer take it personally.
Please tell me a story about a girl who gets away." I would, even if I had to adapt one, even if I had to make one up just for her. "Gets away from what, though?" "From her fairy godmother. From the happy ending that isn't really happy at all. Please have her get out and run off of the page altogether, to somewhere secret where words like 'happy' and 'good' will never find her." "You don't want her to be happy and good?" "I'm not sure what's really meant by happy and good. I would like her to be free. Now. Please begin.
Every race gets the religion it deserves, and only as policemen, pugilists, and priests have they succeeded, here and there a successful lawyer, but nothing more serious.
Doctor Who has never pretended to be hard science fiction... At best Doctor Who is a fairytale, with fairytale logic about this wonderful man in this big blue box who at the beginning of every story lands somewhere where there is a problem...
Much more frequent in Hollywood than the emergence of Cinderella is her sudden vanishing. At our party, even in those glowing days, the clock was always striking twelve for someone at the height of greatness; and there was never a prince to fetch her back to the happy scene.
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