A Quote by Lily James
I'm dying to do a tiny indie and play something totally naturalistic without any sort of constraints on me. Something where I can shock everyone.
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You don't want to shock them and do something totally opposite, but you also want to play a different character.
He wasn't a complete human being at all. He was a tiny bit of one, unnaturally developed; something in a bottle, an organ kept alive in a laboratory. I thought he was a sort of primitive savage, but he was something absolutely modern and up-to-date that only this ghastly age could produce. A tiny bit of a man pretending to be whole.
I would assume that everyone has an experience in their life where they knew something wasn't cool, but even if they sort of removed themselves from it, they didn't totally stop it and become a hero.
It's exciting to try to do something in a totally different way - to bring out something totally different in me as a filmmaker. It's time to try something totally different.
What is striking is these things [patterns in nature, e.g. fish stripes] do look like something that has been crafted. We are conditioned to think that a pattern needs a patterner and so at first glance it seems incredible to us that nature is able to do this, without any sort of blueprint, without any sort of plan. These patterns organise themselves, that is the amazing thing.
There's something about moonlight on the body and things happening sort of free and open. Outdoors is something I'm totally game and down for.
There is something that falls short of perfection in every book, without exception, something influenced by the age, even something ridiculous; just like everyone, without exception, has weaknesses.
Even the indie rock world - which is supposed to be about truth and independence from corporate mindfulness or something - is totally subject to the paraphernalia of celebrity.
The indie world changed when the economy went south. I was frustrated with doing something, then waiting for it to come out, and sometimes it never did, or would just play in New York for 50 people. So I really wanted to try something else.
On the set of an independent film you can tell that nobody is doing it for the money. Everyone is there because they love the script. A smaller budget sort of unifies everyone; it's a real team effort and that's amazing. But these opportunities just don't present themselves that often for me, so basically any chance I get to do something different I jump on it.
I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
I started getting afraid of dying. I don't have any religion and I wanted to understand something about these greater powers without anthropomorphizing it.
I think it's necessary to identify with anything - with any character you play, there's got to be something in common, so you can link up to that person, even if it's like one tiny thing. But it's equally fun to play somebody completely different, and trying to find what that thing is to make it.
I love to be in New York. And I think anybody who's a designer, who says they're doing an urban collection, thinks about the streets of New York. I cannot do an urban collection thinking of Bangkok. Or Mexico. To me, it's totally instant, totally connected with what attracts me these days. But this resurgence of a modern, cool way of being dressed is something that stimulates me and is totally right for me. Even now I don't like to show something that is some futuristic utopia.
Sometimes all it takes is a tiny shift of perspective to see something familiar in a totally new light.
If [Sean] doesn't see me a few days or if I'm really, really busy, and I just sort of get a glimpse of him, or if I'm feeling depressed without him even seeing me, he sort of picks up on it. And he starts getting that way. So I can no longer afford to have artistic depressions. If I start wallowing in a depression, he'll start coming down with stuff, so I'm sort of obligated to keep up. And sometimes I can't, because something will make me depressed and sure as hell he'll get a cold or trap his finger in a door or something, and so now I have sort of more reason to stay healthy or bright.
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