A Quote by Lily King

You don't realize how language actually interferes with communication until you don't have it, how it gets in the way like an overdominant sense. You have to pay much more attention to everything else when you can't understand the words. Once comprehension comes, so much else falls away. You then rely on their words, and words aren't always the most reliable thing.
Words are delicate instruments: How to use them so that, after having read the poem, the taste remaining is not of the words themselves, but of a thought, a situation, a parallel reality? If not used appropriately, words in poetry are like the ugly remains of food after eating. What I mean is that readers will reject words if they don't serve to shift attention from themselves to somewhere else.
'Words, Words, Words' was very much its title. It's just words, words, words and trying to show that I can pack as much material into an hour as I possibly could word count-wise.
The words 'alone,' 'lonely,' and 'loneliness' are three of the most powerful words in the English language. Those words say that we are human; they are like the words hunger and thirst. But they are not words about the body, they are words about the soul.
I love words very much. I've always loved to talk, and I've always love words — the words that rest in your mouth, what words mean and how you taste them and so on. And for me the spoken word can be used almost as a gesture.
To demarcate [words in way that changes the meaning] is simply to speak a different language than everyone else. And I do not accept semantic games like that. [...] We need to use words as they are actually used and understood. We can correct errors and inconsistencies and make distinctions. But we can't try to foist an alien language on people.
How could one sentence uttered in anger cause so much damage? But then words were the most powerful thing in the universe. Cuts and bruises always healed, but words spoken in anger were most often permanent. They didn’t damage the body, they destroyed the spirit. (Acheron)
I think communication starts when words are not present at all ... I think we put so much emphasis on language, actually silence is so much more important.
My music is written with one goal in mind: to improvise. It's like explaining a great story in words, but without words, much faster than you could with words. It's like a direct line of instantaneous communication where you don't have to wait for the end.
Sacred play is anything that takes you into that right hemisphere of your brain. It turns out that this move away from left to the right hemisphere, that sense of expansiveness and everything, can be accomplished through unusual rhythmic action, or any action that requires so much attention away from words that you cannot think in words.
I don't know that I would say words are more political now, particularly after Donald Trump has come into office. I will say that what I notice is that people pay more attention to the words that politicians use. They really want to understand the full nuance, the connotative meanings of those words.
If it's a language you don't understand and you're not concerned with the meanings of the words, your impression comes from how the words look, particularly if the language uses different characters.
Most of conflicts and tensions are due to language. Don't pay so much attention to the words. In love’s country, language doesn't have its place. Love's mute.
How much I wish I could tell you, Dad How much you mean to me.... But there are no words to say How much I admire you... appreciate you... thank you for everything you've done. love you Actually, there are I've just used them How much I wish you A happy, happy birthday Dad
I knew that I was writing for an American audience and that if I sold foreign rights, they would retranslate the book to make it make sense to that language. But one thing that was really important to me was not to italicize any of the words in the languages that were in the stories, because I feel like those foreign words felt just as important and integral to the story as everything else, so I wanted it all to just exist as its own thing.
The main thing to do is pay attention. Pay close attention to everything, notice what no one else notices. Then you'll know what no one else knows, and that's always useful.
Simply, if you're working with good material, then it's right there, and you don't have to try so hard as an actor; you don't have to do so much. Just let the material sit inside you and let it come out. Just say the words. That was the main thing that I learned from doing Aaron Sorkin's work - say the words, and everything else will happen.
This site uses cookies to ensure you get the best experience. More info...
Got it!