A Quote by Lily Rabe

I think every script I read has something that sends me into a state of panic but that usually makes me want to do it. — © Lily Rabe
I think every script I read has something that sends me into a state of panic but that usually makes me want to do it.
What Tim does is, he calls me and sends me the script. And then he sends me a drawing, an illustration of his image of me as the character. It's so great.
For me, when my agents and reps send me a script, I read it through, just for the story purpose of it, and then I read it again to think of my character and see if it's something that I'm interested in bringing to life.
It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
I do think all things in moderation. I mean, the thing to me - it actually doesn't bother me very much if people want to read chick lit. But it makes me, you know, sort of disheartened when that's all that people want to read.
Many times, I like to read the script before I even know who they want me to play, so I can read it and really enjoy it as an audience member. I think that's given me the ability to ferret out the really special scripts from all the rest.
Normally, when I read a script, it takes me two and a half hours. I usually put it down and come back to it. So, I know if I can read a script in one sitting, it's a fantastic script.
For me, I wish I loved every script that I read. Sometimes I'm more picky and choosy than I really should be because you would get more jobs as an actor! But you don't know what it is. Sometimes you read something and it could be a big part or a small part. It could be one scene and I'll read it and say: "Wow, I really like that and I really want to do that.".
I'm taken by a story and a character. I'll read a script, and if it touches me and moves me and makes waves, that's why I'll choose it.
It makes me proud, and it makes me scared. More than anything, I want to be an actor and I want to keep working, and I think there's a danger in being perceived as a poster boy for something.
But I have a list of books that I want to read before I die, and whenever I get time to read something that isn't a script, I'll read something from that.
My biggest thing is telling a truthful story, something that is rooted in something and is very honest. If I read a script and you want me to take off my top, and it doesn't serve a purpose, then I'm not going to do it.
I have been a fan of movies from a very young age, and somehow, the magic of that - every single time I hear something or read something that could be made into a wonderful film or something somebody is asking me to be a part of - that connects. It just makes me feel like I'm going to be part of something magical again.
Sometimes I want to do something that's really funny and other times I read an indie script that is going to be made for nothing but I want to do it because I think that I can connect with something in the story.
It's all about the script. I don't want to do something which makes me feel uncomfortable. It should suit my image and age.
For me to take a role, I read a script, and I think, 'Wow, I don't know how I'm going to do this, but I want to try.'
The script is the most important thing for me. I'm advised that other things are important too, and they are. The director that you'll be working with is hugely important, and the cast that are with you is really important as well. But, for me, the thing that gets my heart excited and really makes me invested in something or not is just the quality of the script.
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