A Quote by Lily Tomlin

Having a real public outlet is how you imprint something for yourself. It's just a matter of timing. It's like you've marked your territory. — © Lily Tomlin
Having a real public outlet is how you imprint something for yourself. It's just a matter of timing. It's like you've marked your territory.
No matter how public your work is, it's just a relationship with yourself. And you have to create a little sacred space inside yourself to treasure that... because when you die, that's still what you have. It's what you're born with and what you leave with. It's kind of a story of the way you accompanied yourself through your life.
A lot of things matter in comedy - the script, the lines, your timing, the co-actor's timing, how it's shot.
Nothing like being with people you’ve known almost your entire life. Having a shared history is something you just can’t create with the new ones. No matter how much you like that, it just isn’t the same.
That's that Dungeon Family ethos: being able to reinvent yourself, stand out and stand alone. Having your own character and having your own image, no matter what they say about you. I want to show my versatility and how diverse I am, how I approach the track, my rhythm, my melodies. It's something different.
Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.
There is another side [to ego] that can wreck a team or an organization. That is being distracted by your own importance. It can come from your insecurity in working with others. It can be the need to draw attention to yourself in the public arena. It can be a feeling that others are a threat to your own territory. These are all negative manifestations of ego, and if you are not alert to them, you get diverted and your work becomes diffused. Ego in these cases makes people insensitive to how they work with others and it ends up interfering with the real goal of any group efforts.
The public does not like you to mislead or represent yourself to be something you're not. And the other thing that the public really does like is the self-examination to say, you know, I'm not perfect. I'm just like you. They don't ask their public officials to be perfect. They just ask them to be smart, truthful, honest, and show a modicum of good sense.
I was not influenced by Jack Benny, and people have remarked on my timing and Jack's timing, but I don't think you can teach timing. It's something you hear in your head.
When something arrives, you have no idea what's in it, which is good. And then, it's is the story leaps off the page at you and how your character functions within it. There could be just one scene and if it's wonderful, it doesn't matter how much you're working on it because you just want to be in it. It's really about what your character's day to day world looks like, and if you feel like that's something that's complete, and that you'd like to inhabit for awhile. You'll know by a couple of scenes in. If the character grabs you, you run with it.
You need to just understand where the ball is and how to use your body. Timing your jump the right way is crucial. Learn how to use your body to shield the receiver and box him out, again, much like a rebound. Trying to beat a receiver to a ball can be a lot like you're posting him up. Rebounding is great practice because you can employ those skills - body position, leverage, timing - a lot more than you might in a football game or practice if the quarterback doesn't look your way.
Have you doubted your progress, regretted your choices, put yourself down? Remember that you are doing just fine. Remind yourself right now that no matter what it looks like, you are doing the best you can. And getting better. Encourage yourself, support yourself, and celebrate every little thing about yourself.
Some days I feel like everyone in my world has plugged themselves into my kidney. I'm so tired. But when you're having dinner with your kids and your husband and someone says something funny or you're dying laughing because your three-year-old made a fart joke, it doesn't matter what else is going on. That's real happiess.
I love photo shoots where I can be like a pinup, not myself. Where I can be feminine, glamorous, dark not like in real life. I hate it when you go in and they want you to be 'natural,' to be yourself. I just hate it. I love having fun. When they ask you to smile, I hate it. Of course I smile in my real life, but to do it on cue, that's not spontaneous. I'd rather do something that's like a little movie, like a little story, rather than just me, I feel naked.
I think for some people real success would mean having all the money in the world and having everyone love you every minute of the day. I don’t know if that’s really my aspiration. I just want to keep doing this. I just want to keep finding new ways and new paths and new territory. Every time I get to do it, it feels like freedom.
I don't think comic timing is the same as music timing, but I definitely find that I've learned from just writing in general that songs can be narrative without having a story.
Write whatever way you like. Fiction is made of words on a page; reality is made of something else. It doesn't matter how "real" your story is, or how "made up": what matters is its necessity.
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