A Quote by Lily Tomlin

I was always empathetic with animals. It's a terrible and self-involved point of view that we do something because someone else is exploitable. — © Lily Tomlin
I was always empathetic with animals. It's a terrible and self-involved point of view that we do something because someone else is exploitable.
I started writing a novel from the monster's point of view. It has its own difficulties but, I'm ashamed to say, it's much easier writing from a psychopath's point of view than from that of their empathetic opposite.
I think you're always subjective because you always have a point of view, but I'm always sort of curious about what is the point of view I don't agree with. There is a truth in that because there always is.
I passionately feel that as long as we view ourselves as superior and other animals as exploitable our consciousness will remain stuck in a level of ignorance that will disallow a full realization of the truth underlying reality.
Music, for the moment, has been this hidden thing for me. For the first time, I am master of something. I am not used by someone else, like in movies or pictures, where you always have the happiness or disappointment of knowing it's you seen through someone else's point of view. You go to see a film and half of the pretty scenes are not in it-the ones you liked. Living with this frustration all the time, suddenly music came as the best thing for me at home, where no one can tell you anything.
Communication starts with the understanding that there is my point of view (my truth) and someone else's point of view (his truth). Rarely is there one absolute truth, so people who believe that they speak the truth are very silencing of others.
Point of view is not something I consciously decide. Almost always, when I come up with a plot I find that the point of view has automatically arrived with it, part and parcel of the story.
Whenever we do something for someone else, we affirm that we are not simply in it for ourselves, that our self is someone else, is everyone else.
[On how she goes about trying to live authentically] Well really listening to my point of view and if I am on a set, say, that doesn't really value a woman's point of view, regardless of how they feel, continuing to give my point of view and try to find a way to be heard and not diminishing myself because other people are diminishing me. Because that, I think, is the worst temptation that, you know, you judge yourself by how others are judging you, and to fall into that trap is to walk into the realm of self-annihilation.
I was incredibly impressed with HOTorNOT, because it was the first time that someone had designed a website where anyone could upload content that everyone else could view. That was a new concept because up until that point, it was always the people who owned the website who would provide the content.
I've always felt, and I think I'm qualified to say so because I've won a few awards, that it's a terrible shame to put something in competition with something else to be able to sell something.
Katie Grand often comes in from a very different angle than what I've been thinking about. And that really gives it that extra something, because designers can often get stuck in their own view of how the collection can look. I always love the way that she turns it into something else and I kind of let go at that point.
The worst evil is - and that's the product of censorship - is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself.
As an actor, you are always someone else's tool. You can have a connection with them, and you can share their point of view, but ultimately, you are helping them reflect.
Acting, believe it or not, can get very self-involved! I feel fortunate to have been able to work on things with people who have a very specific point of view and perspective, and who feel like they're doing something very active.
I realized I couldn't be a journalist because I like to take a side, to have an opinion and a point a view; I liked to step across the imaginary boundary of the objective view that the journalist is supposed to have and be involved.
Because that’s how it works after something terrible has happened. You know this is true if something terrible has ever happened to you. A thousand objects take on new meaning. Everything is a reminder of something else.
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