A Quote by Lily Tomlin
I was always drawn to more the social-expression-of-culture types.
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The pressure to perform is relentless in today's workplace - regardless of where you work. We are all being asked to do more with less. I think what we could borrow from the culture of Silicon Valley is "eat your own dog food ." That is an expression used by tech types to mean using what you make or sell.
I've always been a huge fantasy fan. I was always interested in fairy tales and anything with magic or dragons... I was always drawn to those types of stories.
Professional wrestling in Europe is more of a sub-culture. It is not as popular as it is here in the United States. The people that were drawn to it were also people that were into sub-culture, hardcore sub-culture. It is basically an alternative scene that is sub-culture.
Joining a sub-culture, any sub-culture, for whatever reason, is as I see it never a legitimate self-expression. It is always a result of sheep mentality; a wish to belong somewhere.
I see parody as another form of comedy. If you are making a comedy, there are a lot of different ways to do it. I'm not necessarily always aware of my quote-unquote persona when doing things like that. It's more, "What does the character need at the time?" I'm certainly drawn to certain types of material, there's no doubt about that.
Whiteness is not a culture . . . Whiteness has nothing to do with culture and everything to do with social position . . . . Without the privileges attached to it, the white race would not exist, and the white skin would have no more social significance than big feet
I have always been drawn to percussion and drums, to bass and piano, in music much more then I am drawn to the guitar and the other lead instruments.
The more English is heard in the world, the more gratifying it seems to speak French, and above all to know the culture of our country. They find a kind of French social grace in the language and culture.
Being uprooted from your own culture, provided you take with you the way of thinking and being that characterises the more integrated social culture from which you come, is not as disruptive to happiness and well-being as becoming part of a relatively fragmented culture.
Freedom is the very essence of life, the impelling force in all intellectual and social development, the creator of every new outlook for the future of mankind. The liberation of man from economic exploitation and from intellectual and political oppression, which finds its finest expression in the world-philosophy of Anarchism, is the first prerequisite for the evolution of a higher social culture and a new humanity.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
There's one more thing I want to say. It's a touchy subject. Black beauty. Black sensuality. We live in a culture where the beauty of black people isn't always as celebrated as other types. I'd like to help change that if I can!
I think humans are just hard-wired to process people's faces and understand meaning and expression at such a more granular level than other types of communication.
Theology, Mr. Fortune found, is a more accommodating subject than mathematics; its technique of exposition allows greater latitude. For instance when you are gravelled for matter there is always the moral to fall back upon. Comparisons too may be drawn, leading cases cited, types and antetypes analysed and anecdotes introduced. Except for Archimedes mathematics is singularly naked of anecdotes.
Culture, as Indian people understood it, was basically a lifestyle by which a people acted. It was self-expression, but not a conscious self-expression. Rather, it was an expression of the essence of a
people.
In all my novels, a sense of place - not just geographic but social - is a critical element. I have always been drawn to the novels of Edith Wharton, among others, where social dynamics are crucial. Wharton's class consciousness fascinates me, and some of the tension in my books stems from that.
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