A Quote by Limahl

I don't know what record company would sign a 45-year-old former 80s pop star. — © Limahl
I don't know what record company would sign a 45-year-old former 80s pop star.
I'm not a pop star. I don't feel like one. I'm always joking that I'm actually an eight-year-old boy dreaming about being a pop star.
Part of being a pop star is image. I'm told by many of my female fans that I was the poster on their bedroom walls. But if I only had that - the image and the beauty and the curly locks - I would have been a 'normal' pop star, one who comes and goes after one hit record.
Google the phrase "the most hated man in America." And this guy is one of the first people to pop up. Martin Shkreli, aka Pharma Bro, a 32-year-old drug company entrepreneur and former hedge fund manager who has a lot of money and loves to talk about how he spends it.
No record company in the world would say, 'We're not promoting if you keep calling somebody a snitch.' They know what makes money. A record company would never be that stupid. Ever.
I think there's something antagonistic about bedroom pop. We're reappropriating pop and saying you don't have to be an ex-Disney star to make pop music. You can be from Shepherd's Bush and have spent most of your life listening to the Smiths and still make a pop record.
All I know is stars and hits, you know what I mean? I don't just sign a guy because he has a hot record. I sign a guy because he's a star. He's a pillar of the community.
I've never had a relationship with a record executive. I always went to the record company by someone that liked my playing. Then they would get fired, and I'd be left with the record company. And then - because they got fired - the record company wouldn't do anything for me.
I think there's an incredible luck or skill for a 45-year-old man to draw like a three-year-old.
I'm out talking about this company (General Electric) seven days a week, 24 hours a day, with nothing to hide. We're a 130-year-old company that has a great record of high-quality leadership and a culture of integrity.
Usually when I make a record, I know what the potential is going to be, but I didn't know that 'Just A Friend' was going to be that big. 'Just A Friend' opened a world up where I never knew the difference between being a pop star and a regular rap star. It was crazy.
A 45-year old looks a lot like a 25-year old who's been out all night. And feels just as good about having survived the experience.
A part of 'Happy New Year' is inspired by western pop culture, the pop music videos of Michael Jackson, Madonna and Duran Duran in the '80s.
I'm a 48-year-old writer who can remember being a 10-year-old writer and who expects someday to be an 80-year-old writer. I'm also comfortably asocial -- a hermit in the middle of Los Angeles -- a pessimist if I'm not careful, a feminist, a Black, a former Baptist, an oil-and-water combination of ambition, laziness, insecurity, certainty, and drive.
What would be a perfect day for me? I'd like to fly the Millennium Falcon to a small café outside of Vienna, and there's a PlayStation 3 or an XBox set up there. The family is there, and there would be brand new Star Wars Lego sets so my seven-year-old and four-year-old would be the happiest people on earth. My wife could get a massage and manicure/pedicure. Oh, and pork is being fed to us all day.
As a kid, I watched every Madonna documentary and tour. I was obsessed with her - and with any pop star of the '80s.
All through the kind of late '80s and '90s, every A&R record company man was saying, 'Now what we want is another record like 'Back in the High Life.' And, of course, that's not the way to make music at all. That's the tail wagging the dog.
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