A Quote by Limahl
People don't realise how much energy it takes to sing and hit all those high notes - but I always feel like I've done a marathon.
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As much as I appreciate people putting me in the category of these very acrobatic belters, I feel like my strength is my... interpretation and my truthfulness with songs, and I don't want young people to think it's all about the high notes that they have to hit.
I've hit 1, 2 and surprisingly I've hit 3 most of my life. Not that I'm going to be hitting 3, but I feel like those are three really different positions in the lineup. And I feel like I've done all of them. I know what's expected at each one of those, and I feel like you can take that experience away.
It's always harder than you think to make a good film. Feature films are a hell of a marathon to say the least. It's kind of your endurance. How much can I push? How much do I care? How much time it takes is a nice reminder.
I think the way I can sing the way I sing is because of the way I talk to my animals. I hit some really high notes.
I never could figure out how those people like Bukowski could be both carousers and writers at the same time, because to me writing takes as much destructive energy as it takes to be a really good professional drunk.
The second we were done on 'The Sing-Off,' we were like, 'All right, now we're competing with Rihanna and Taylor Swift.' We've always set the bar high. We want a hit.
Gimme the tune. Do I like this tune? Does it sound like another tune that I like? The more familiar it is, the better I like it. Hear those three notes there? Those are the three notes I can sing along with. I like those notes very, very much. Give me a beat. Not a fancy one. Give me a GOOD BEAT -- something I can dance to. It has to go boom-bap, boom-boom-BAP. If it doesn't, I will hate it very, very much. Also, I want it right away -- and then, write me some more songs like that -- over and over and over again, because I'm really into music.
[With quantum computers] you can calculate how many bits are in the universe, how much energy it takes to flip them, how much energy exists, and use that to rule out lots of things about the universe's history. Anything that takes more bit flips couldn't have happened.
In Twenty20 it's not always about straight drives and high elbows. It's amazing how far you can hit the ball. I've always been able to hit the ball far but not consistently like I have in practice over here. I'm enjoying it so much.
It's amazing how much of a bodily experience being scared is. It doesn't take very long of hyperventilating to feel like you're going to pass out. It's one of those things where being scared is more of a physiological response that you can pretty easily manipulate. So in those types of scenes, it just takes a lot of energy.
Performing isn't only about the acrobatics and the high notes: It's staying in the moment, connecting with the audience in an authentic way, and making yourself real to them through the music. I am more than the notes I hit, and that's how I try to approach my life. You can't get it all right all the time, but you can try your best. If you've done that, all that's left is to accept your shortcomings and have the courage to try to overcome them.
I will sing whatever I'm given to sing. Growing up, I would sing anything that I was given. If the choir needed a first tenor, I would sing first tenor. If they needed a bass, I would sing bass. Throughout my life, I just figured out ways to hit notes I needed to hit.
Eventually, you know the rhythm of your character, of the set of the piece. It takes less energy for you to hit that point, and then everything resonates. But initially, it takes a tremendous amount of energy. You just hope it's gonna be okay and you don't forget your lines and those cameras.
I would like to help people have honest and constructive conversations about energy. We need to understand how much energy our modern lifestyles use, decide how much energy we would like to use in the future, and choose where we will get that energy from.
If I have a song where I hit some really high notes, I want to try to bring in equivalently low notes somewhere in there.
I don't really sing... I just hear notes so I know what it's supposed to sound like, if that makes sense. You ever hear someone try to teach a choir how to sing, but they can't sing? That's me.
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