A Quote by Limmy

Being in somebody else's thing and saying their words and not having any right to change it - I don't know how I'd deal with that. I'd like to think I could do it, but I just know I've got a dead particular taste.
I'm not saying I'm going to rule the world, I'm going to change the world. But I guarantee I will spark the brain that will change the world. And that's our job. It's to spark somebody else watching us. We might not be the one, but let's not be selfish. And because we['re] not going to change the world, not talk about how we should change it. I don't know how to change it. But I know if I keep talking about how dirty it is out here, somebody's going to clean it up!
I'm always amazed that anyone is paying attention to anything that I do, you know what I mean? I feel like I'm constantly having conversations with people where they're saying, "I didn't know that you could be serious," and then other people are saying, "Oh, I didn't know that you could do comedy." And so I don't know if it really helped too much with this. I like to think that it does.
I always panic on the first day of work. You can do all the Stanislavsky-backstory homework, but when that moment arrives and you are in the clothes, hair, and makeup of somebody else, and you're saying the words created by somebody else - I never know how to do it. It's a complete mystery to me.
I'm supposed to convince you, for two hours, that I'm somebody else. Now if you know everything about my life, if you think you've got me figured out and you think you know all my dark secrets, how am I ever going to convince you that I'm somebody else?
I know he's dead! Don't you think I know that? I can still like him, though, can't I? Just because somebody's dead, you don't just stop liking them, for God's sake--especially if they were about a thousand times nicer than the people you know that're alive and all.
I just find it funny and terrible: someone being very rude and overbearing over somebody who doesn't know how to deal with it. Maybe it's because I've experienced that sort of thing and I don't know how to say, 'You can't do that. You can't say that to me.'
Everybody is I, you all know you are you. And wheresoever's beings exist throughout all galaxies it doesn't any difference. You are all of them, and when they come into being that's you coming into being, you know that very well. Only you don't have to remember the past in the same way you don't have to think about how you work your thyroid gland. You don't have to know how to shine the sun, you just do it, like you breathe. Doesn't it really astonish you that you are this fantastically complex thing, and that you're doing all of this and you never had any education on how to do it.
I don't want to be lofty when I say this, but I don't know what a success is any more. I know how we define it, but that was a moment where I went, "Wait, who am I?" You could feel the business, in particular, kind of go "He's all right, let's go over here." I started to go, "Wait, I know why I love to do this." I think I got off track in why I love to do it.
They say I'm insane because I need to have so much creative control. They say I'm unmanageable, but I'm not. I just know what I like. I'm obsessed with it. If you can't control it, that's like having somebody else paint your pictures. How could you do that? I never could.
I'm not saying being a comedian is brain surgery, but it is definitely - it's like being a carpenter. You learn how to make tables and chairs. You have to have the right tools, and you have to know how to put the thing together, right?
'Paycheck,' I thought, was a really, really good idea. I never got an opportunity, unfortunately, to read the novel, but I loved the idea of how to deal with intellectual properties. I just don't know that we necessarily got to the heart of that particular idea. I think it became more of a chase movie than anything else.
You have to be open to change. I never stop making sure that what I say is the best of what could be said about a particular thing. It's a constant evolution. If I planted a tree one way yesterday and somebody tells me of a better way to plant a tree, I think, You know, they're right, that's better. Then I change my way to accommodate the new way of planting trees.
Nobody knows I'm different. Or they may know, but they don't know how different and they don't know what this thing is that's driving me because I can't... this is... these are charges ... which I understand having got two children of my own and having had these mad thoughts myself that you know, I've got to get out there and do something. I don't know what it is, but it's got to be interesting.
I'm sorry, Heather, but everything was not just fine before I got here. You know how I know that? Because you're dead. Okay? You are dead. Dead people don't have lockers, or best friends, or boyfriends. You know why? Because they're dead.-Suze Simon
Well, one is inspired by the whole of life, one's own and somebody else's. You know how sometimes you hear great music, and music is completely untranslatable into words, into any words. A certain tension that is born when one listens to music could aid you in expressing something absolutely different.
Introducing a spelling test to a student by saying, 'Let's see how many words you know,' is different from saying, 'Let's see how many words you know already.' It is only one word, but the already suggests that any words the child knows are ahead of expectation and, most important, that there is nothing permanent about what is known and not known.
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