A Quote by Limmy

It's almost like schizophrenia the way I get ideas about things that are not really happening and just end up focusing on them. — © Limmy
It's almost like schizophrenia the way I get ideas about things that are not really happening and just end up focusing on them.
There are times when I want to be plainspoken about my feelings in a song. But there are other times when it's really good to try and get my head around different kinds of song structures, or maybe I might get turned on by trying to write a song that would fit in this one scene in a movie. And by the end of all this, you just end up with a bunch of different ideas. And songs are really just ideas.
I learn things in a backward way. I learn all those limitations, and slowly my brain soaks them up, and if things go right, you just, in an organic way, translate your ideas into those templates. That's the way I perceive the process happening.
Of course, even if the directors like my ideas or the designs I do, they may end up changing the story so much, that those characters have to change, or get cut out altogether, and that's just the way it is. Sometimes the directors are designers themselves, or they want to work with a character designer who will do things in their own distinct way - sometimes the most important thing I do is figure out what they don't want to do, by experimenting. Either way, whether they use my ideas or not, I get paid, so it's all good.
Instead of focusing on the amount of money lacking in your budget, focus on what you DO have: a willing spirit, an imagination filled with bright ideas, people who care about you and can perhaps help you in some way. These are the things that will enable you to do almost anything.
Writin songs is like a mystery. The most difficult thing to do is have a good idea. If you have a decent idea, the songs are the easy part. Actually having something to say is the hard part. If you get an idea for a song, then it pulls you along. There are just some ideas that you get that are really hard to edit out; it's hard to stop thinking about some bad ideas. So you just finish it and you end up putting it on a record.
I don't want to think results, I don't want to think positions. I just want to come in, do my job, and we'll see where we end up. I think that's the best way to look at it, because then you start focusing on the outcome rather than focusing on the work that it takes to get to that outcome.
I don't really have a schedule; I just get up in the morning. I work at home. I don't feel that my work is a separate thing from living - I get ideas about what I want to write about from the real things that I'm worrying about as I live.
The things that affect you most deeply - the things that will destroy you if you don't sing about them - are the things that you often end up singing about. It's really just about saying those things that everybody thinks but no one will say and making a connection by uncovering these diamonds that are inside of all of us that no one wants to tell each other about.
I like to joke that you usually write more books before death than after death, so that's why I'm doing it. But really, I remain engaged with ideas. There are so many things happening that turn me on and I just want to examine them.
I don't really think of these as projects. I think of them as bands. I have tried to not just convene a group of musicians and make one record or make one gig and just drop it. Each of them develop over time. I have been really fortunate to keep a band like the Sextet together over three very different albums. Each time, the goal got more deep for me in terms of how I wanted to write for those people. So it is really about trying to develop ideas and trying to have a consistent focus on a way to come up with new ideas in music that I want to do.
Ideas are not - ideas come at me all the time; it's just the way I'm wired. It's just a matter of focusing it in and figuring out what to do with that.
One of the things that I really like about young adult fiction is that you can explore the relationships between teens and their parents. I definitely think that teens are a product of their parents. You either end up just like them or you consciously make the decision to be unlike them.
People who know what they want, the universe has a way for clearing a path for them. When you want something bad enough, it's going to happen for you. You can almost manifest your own destiny by always focusing on it. Almost like the law of attraction. If you really know what you want, the chances of you finding it are so much more strong. It's almost as if it will come fall right on your lap. I know that I want to be champion.
I would like to have insights into things like government, all those big ideas that you brought up that I simply don't have ideas about. I would like to be able to since so many people discuss them, but I don't want to work at them. I don't think my ambition is that strong in that direction.
Every time I start to get worked up over something, I just think to myself, 'Is this really going to matter in my life tomorrow, in an hour, in a year?' You just can't get stressed about the little things 'cause it's just not worth it at the end of the day.
One of the most important things for me in terms of my working method is doubt. I get very insecure about my ideas. And I don't say 'insecure' in kind of a paranoid way. I mean just: 'Are they good enough?' 'Is this the right thing to do?' I really beat myself up over that.
This site uses cookies to ensure you get the best experience. More info...
Got it!