A Quote by Lin-Manuel Miranda
It's got to feel, the pulse has to feel like this part of the world, the instrumentation has to be true to that, and so, between him, [composer] Mark Mancina and myself, we really chased that, while serving our story Moana].
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When the dialogue is on point and I feel like the overall story and message is really serving something that's socially progressive, it really makes me want to be a part of it.
I feel like, if I'm being honest with myself, my biggest skill set is as a writer 'cause I can do that quickly and I'm really grounded in story structure. Part of my success as an actor, is that I know story well. Part of my success as a director, is how well I know story. Same thing, as a producer. It all begins and ends with me as a story creator. But, I love doing it all.
Even just reading "I Don't Feel at Home in This World Anymore,"I got a sense of the world and the story [Macon Blair] wanted to tell. And then I had a meeting with him and understood how he likes to work. I really trusted him from the beginning.
I can admire music where you feel the composer has everything organized and perfectly shaped, but it doesn't touch me. I like to feel that a composer is wounded, like all of us.
I've got no sympathy for him whatsoever. I just wish we had got 10 past him. At the end of the day we've got to be ruthless and we are in the business of winning for us. If they had scored three or four, nobody would have said do you feel sorry for Mark Bosnich? We don't feel sorry for Craig Forrest.
I'm not trying to spell out a story. I still think you feel the painting, and the reason you read the mark is because you also feel the mark.
Music and songs have always been a constant part of my life, and still are. My brother Michael, who is a songwriter and composer, is the one who most fully inherited the musical legacy of our family, but I got some part of it - mostly the feel.
I want find a part of myself that I feel shame about, or that I feel really scared of exposing to the world.
I felt like I was building this world brick by brick with each layer of instrumentation I was doing. I could see it growing in some ways. I feel like most writers feel the same way. You're almost living inside of this magic world that you're building.
I've never known a writer who didn't feel ill at ease in the world. We all feel unhoused in some sense. That's part of why we write. We feel we don't fit in, that this world is not our world, that though we may move in it, we're not of it. You don't need to write a novel if you feel at home in the world.
The pop world is cool, but I never really thought of myself as part of it or wanting to be a part of it because I'm on a label that's not really like that. They're not trying to dress me up, they're not trying to do things like that. I feel like I'm sort of separate from that, actually.
I wouldn't be able to do the songs as long as I've been doing if I didn't feel the pulse of the world. But I can feel people and I know what they want. I feel like I know how they are, because I am the people. And I just have a gift.
I don't really mind not being a part of a film - because if there is no part for me, I will never force myself upon a film. I feel like it's just a distraction. If it is not organically incorporated into the story, it just feels like a stupid appearance, like a sort of wink. I hate that.
The biggest secret weapon we had in regards to really being true to this part of the world, and making sure this part of the world could see themselves in this film [Moana] in a way that felt positive and accurate, was Opetaia, my co-writer, Opetaia Foa'i, who has a great band called Te Vaka and is an amazing musical and cultural ambassador.
You've got to be able to hold a lot of contradictory ideas in your mind without going nuts. I feel like to do my job right, when I walk out on stage I've got to feel like it's the most important thing in the world. Also I've got to feel like, well, it's only rock and roll. Somehow you've got to believe both of those things.
We live in such an image-heavy world that not seeing yourself in that landscape can really make it tough to feel human, to feel like you are part of the world.
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