A Quote by Lin-Manuel Miranda

These New York City streets get colder, I shoulder every burden every disadvantage I've learned to manage. I don't have a gun to brandish. I walk these streets famished.
Every person on the streets of New York is a type. The city is one big theater where everyone is on display.
You could walk the streets, no matter how hungry people were, not matter how long they'd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
You could walk the streets, no matter how hungry people were, not matter how long theyd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
I took over a city that had two riots in four years and I had none. And they knew they couldn't riot on me. And when I saw the people on the street in New York City, I said to myself, you're breaking Giuliani's rules. You don't take my streets. You can have my sidewalks, but you don't take my streets, because ambulances have to get through there, fire trucks have to get through there.
A woman is beautiful when she stands out as an individual—it's a woman who has her own style and the confidence to pull it off. Half the women on the streets in New York City achieve this. I get so inspired every time I'm there.
My childhood is streets upon streets upon streets upon streets. Streets to define you and streets to confine you, with no sign of motorway, freeway or highway.
When you go to the big city - you're in New York, Boston, you're in L.A. - you walk in the streets, and nobody says anything to you. It becomes so impersonal because there's so many people.
I love filming in London. In New York, every street is familiar because you have seen it in a movie. They mythologise their own city. You're forever trying to get down streets that have been blocked off because of shooting. In London, they don't put up with it; they're grumpy.
New York is something awful, something monstrous. I like to walk the streets, lost, but I recognize that New York is the world's greatest lie. New York is Senegal with machines.
One of the crucial underpinnings of New York as a culture capital is that there are multiple markets. There is not just one art gallery district, there are several art gallery districts. I feel that there should be art galleries and art studios in every neighborhood without exception. They should be integrated into the social and physical fabric of the streets. If we want a lively city, we can't just have high towers and dense constructions, we have to have living organisms of streets and neighborhoods. And the arts are a crucial part of that.
It's a luxury being able to work every day in the streets of Manhattan. It doesn't get much cooler than that. When you move to New York, that's exactly what you dream of. And I'm doing it.
I'm a creature of the New York City streets.
We recently had a referendum in New York about extending the forest preserve. The city voted for it by a large majority; yet as I walk the streets I do not see afforestation written with conviction on the harried faces of my fellow citizens.
The streets of New York are entirely man-made and unmistakably that, so you feel as though you're on some sort of presentation platform whenever you're out on the streets.
I'll just walk around New York and watch people on the streets.
Only one thing is certain: every time I return to New York from Nashville, I walk down the streets with a silly grin, just smiling at everyone I see and, more often than not, receiving a suspicious glance in return... but honestly, I wouldn't have it any other way, y'all!
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