A Quote by Lin-Manuel Miranda

'West Wing' was huge. Like 'Hamilton,' it pulls back the curtain on how decision-making happens at the highest level, or at least how you hope it would be. The amount of information Aaron Sorkin packs into a scene gave me this courage to trust the audience to keep up.
The universe works in mysterious ways and for me it worked out perfectly. With all respect to everybody else, Aaron Sorkin is and was The West Wing, full stop. There's no West Wing without him.
Actually, if I had to do it over [leaving the show the West Wing], I'd do the same thing, because lost in the shuffle of it is that Aaron [Sorkin] left the same year I did. And I would not have wanted to be on The West Wing with somebody else writing it.
My experience on 'The West Wing' was, I think, now rare in that I was pretty young, and I walked into this environment where Aaron Sorkin was giving me a script every week, and Thomas Schlamme and John Wells were keeping the studio off my back, at least as best as they could.
Everybody knows Aaron Sorkin's scripts. There's a huge amount of lines. There's a huge amount of interchange. You gotta do a lot of learning to be able to get it up to pace.
During my many hours on the Acela, I have taken to watching 'The West Wing,' Aaron Sorkin's drama of an idealised White House.
Anything that Aaron Sorkin writes, I could watch a million times. One of the few shows that I've watched in repeats was 'The West Wing.'
My joke about Aaron Sorkin is that The West Wing was a great show about democracy, run by Kim Jong-Il!
The script was given to me by one of my agents and they didn't tell me anything about it. My first reaction was, "The West Wing? Is it about a squadron of fighter jets?" Then I turned the page and saw, 'by Aaron Sorkin' and I knew it was going to be something good.
It was terrifying when Aaron Sorkin announced that he was leaving West Wing, he and Tommy Schlamme. We felt like our parents were abandoning us. It was a tremendously sad day and I'm sure I will never understand exactly all the reasons why that happened.
I had no regrets when I did it, I have even less regret now because I can't imagine staying on the West Wing show and then, six weeks later, Aaron Sorkin leaving.
I did not always agree, personally, on the positions that Bartlet, character from the West Wing, took and I argued against them on many occasions. But Aaron Sorkin said, "Martin, that's you, that's not Barlet. It's a very political decision he has to make." I found from the very beginning that when I infused my own personal feelings about an issue it went against the grain of the character.
There were two auditions for The Social Network, one with Aaron Sorkin and one with David Fincher. I was a nervous wreck. I was like, Okay, how do I hold the paper without my hands making it shake?
There were two auditions for 'The Social Network,' one with Aaron Sorkin and one with David Fincher. I was a nervous wreck. I was like, 'Okay, how do I hold the paper without my hands making it shake?'
Right before I got The West Wing, I was pretty much out of money. When I first came in to Warner Brothers, Aaron Sorkin was there. Of course I was nervous; I'm sitting here in front of the guy who wrote "You can't handle the truth!".
I worked on a show called 'West Wing' before. I didn't work with Aaron Sorkin, but he created the show and set the tenor of the show, which was you follow the words of the script perfectly because there's a dramaturgical thing behind it.
Aaron Sorkin whole thing was that he didn't want the pomposity of the presidency in the West Wing. But once we cast Martin Sheen and we realised Martin's incredible accessibility, nothing felt pompous or aloof. If the show is about all the planets, let's end it with the sun.
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