A Quote by Lin-Manuel Miranda

I like to separate the music- and lyric-writing processes if I can. I'll sort of noodle around on my keyboard and my computer until I have a beat or a chord progression, I'll record it as a loop, export it to iTunes, then walk around with the loop and sort of talk to myself in the loop, and that's how I get the lyrics.
Sometimes there are times you actually don't want to be in the information loop on some rumors; because once you're in the loop, then if something leaks, you're one of the people in the loop.
With women, I've got a long bamboo pole with a leather loop on the end. I slip the loop around their necks so they can't get away or come too close. Like catching snakes.
I think of every double-decker loop as another loop towards my death. And that is why I've always thought of the double-decker loop as - each loop as a continuous and individualized search for perfection.
Many visitors to Chicago know the Loop, the shops on the Magnificent Mile, and the Museum Campus. Meanwhile, much of the bustle is in the developing neighborhoods around the Loop: North, South and West.
I walk around talking to myself in accents. Usually people look at me like I'm a complete fruit loop.
It is easy to get an interesting loop to happen, but it becomes a collage when the song and loop are constantly changing.
Shakin' like a bowl of soup and make your body loop-de-loop.
When I'm writing a lyric, I totally forget about the music. I'm just looking at the lyric and thinking about it almost as a separate entity. And then I'll go to my keyboard with all the lyrics printed out and try to think of how to make this a complete musical thing. I've got a very basic keyboard with some presets.
Animal crackers in my soup Monkeys and rabbits loop the loop Gosh oh gee but I have fun Swallowing animals one by one In every bowl of soup I see Lions and Tigers watching me I make 'em jump right through a hoop Those animal crackers in my soup When I get hold of the big bad wolf I just push him under to drown Then I bite him in a million bits And I gobble him right down When their inside me where it's dark I walk around like Noah's ark I stuff my tummy like a goop With animal crackers in my soup.
Oh, my gosh, I've never seen a film unless, you know, if I have to go and do ADR, loop-loop. But I don't watch after. I'm too critical.
Part of it is living in Tennessee. I'm so out of the loop. And as a person, I'm out of the loop. I'm oblivious by nature.
Everybody's got money for vacation time. Look at how much we all spend just to get - well, I get sick on the loop-the-loop roller coasters. People pay money for that kind of experience. So I would certainly save up money, save several vacations worth of money, to go on a suborbital flight or any rocket flights.
I remember doing "As Cool As I Am" and Steve Miller, the producer, saying "I really hear a drum loop here. I want to play it for you." When I wrote it, I thought, "This isn't going to sound very folky. I don't think it's going to go with mandolins and banjos." Then he played the loop for me and it sounded right.
It's not like I just take the beat, rap on it and take it for what it is, I always have the producer send it to me, loop the track out, move some stuff around.
'Swagger' would be the word for 'Dirt On My Boots.' With the real funky drum loop and the ganjo rolling down, and then the fiddles and the guitar and steel, it really took an old school style where it's fiddle, steel, guitar, and mixed it with a drum loop.
You could put all of Rev. Jeremiah Wright's angry sermons on to one loop. You could put that loop up on the big screen at Radio City Music Hall and let it play there 24 hours a day, seven days a week and Barack Obama will still emerge as the next president of the United States.
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