When I was asked to do a song from 'In the Heights' at the White House in 2009, I chose instead to do 'Alexander Hamilton' because I felt like I was meeting a moment.
I was given a White House - well, you will have to ask the White House that. But I asked to attend the White House briefing because I was, you know, because I wanted to report on the activities there.
I didn't know anything about Eliza when I first got the call about 'Hamilton.' Tommy Kail, the director, asked me if I wanted to be a part of it. I knew what he was talking about because I'd seen the video of Lin performing it at the White House for Barack and Michelle Obama.
I am shocked at how much time I spend in the White House. I mean, you know, for people on the outside, the idea of going to the White House for a meeting must seem like the most important, serious, even glamorous kind of thing to do.
'Hamilton' is, of course, closely tied to the Obamas because Lin first performed the opening number at a White House poetry jam.
People still assume the White House Correspondents' Association works for the White House, when in reality, it's a group of journalists who cover the White House. It's a branding thing, but because it has the 'White House' before it, people think they're just King Joffrey's goons.
The story of Alexander Hamilton lends itself to hip-hop treatment. Hamilton's personality is driven and unrelenting, and the music has that same quality. The music and the man mirror each other.
It is white. - when asked what the White house was like by a student in East London
I felt somehow for many years that George Washington and Alexander Hamilton just left me out by mistake. But through the process of amendment, interpretation, and court decision, I have finally been included in 'We, the people.'
I think with 'Hamilton,' Lin-Manuel has really blown up the whole casting idea. It's miraculous. You look at '1776,' it's a bunch of old white guys and old white chicks. You look at 'Hamilton,' and it's just the faces of America.
I'd worked at the White House for two years, and I'd read a bunch of White House memoirs because everybody who works at the White House, even for five minutes, writes a memoir usually not less than 600 pages long - and never without the word 'power' in the title.
When I was asked to play the lead character Mohini in Avunu' I asked Ravi Babu why he chose me. He said he wanted someone who can act well. I felt nice.
A woman is more than the sum of her parts. So I had an opportunity to present some work at the White House. I chose not just to talk about the sky, the planet, love or heartache. I wanted to actually be there, to place a mark on that moment.
I'm just one of the kids, and all because the students at Hamilton Heights High School listened to the facts, educated their parents and themselves, and believed in me.
A massive power outage in Washington, D.C., today affected a number of federal buildings, including the White House. When asked when they could restore power to the White House, officials said, '2016?'
Once at the White House I was asked to conduct the Drum and Bugle Corp. The man just handed me the baton and I finished the song. It was great. I got to keep the baton.
I feel like Barack Obama's an Illuminati puppet. He's basically dragged this country down into the worst it's ever been. Like I say about the White House, 'You've built this house of shame'. Everybody looked up at the White House and America and now I think it's like a house of shame. I miss the old days when people were proud to be American.