A Quote by Lin-Manuel Miranda

I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
I like musicals a lot. I think probably 'Jesus Christ Superstar' is my favorite. I love Andrew Lloyd Webber for the most part. It's rare that I'll find a musical that I don't like.
I was fortunate enough to work at the peak of the great golden age of musicals. And then for awhile, I think they were being advanced in different ways. Andrew Lloyd-Webber brought the rock beat to musicals; people tried different things. The joy of musicals is that there is no perfect recipe; it is what you throw into it.
I was always into classical music and opera because I played the piano as I went through school and was very interested in Andrew Lloyd Webber musicals and stuff like that. That changed into heavy metal at around the age of 14 or 13, and I dropped the piano and started to play the guitar.
I had lunch with Andrew Lloyd Webber at the end of 2011 because my musical 'Matilda' is in one of the theatres that he owns in London.
Life is like a musical by Andrew Lloyd Webber. Very popular and not as bad as some would have you believe. That is, unspeakably awful but mercifully brief.
I went to see 'Phantom of the Opera' with my grandma and my mom when I was very little. The stage, the voice, the music... Composer Andrew Lloyd Webber has been a massive inspiration to me for some time - the storytelling, that deliciously somber undertone in his music.
I went to see 'Phantom of the Opera' with my grandma and my mom when I was very little. The stage, the voice, the music?... Composer Andrew Lloyd Webber has been a massive inspiration to me for some time - the storytelling, that deliciously somber undertone in his music.
'Love Letter' is a concept album, and whenever I do a concept album - and I love doing concept albums more than any other kind of album - it allows me to get dressed, in a way, musically.
The first time I did Cake Boss or Ice-T or Andrew Lloyd Webber was on 'Best Week Ever.'
This was a seminal moment in my life - my dad took me to see the original production of 'Jesus Christ Superstar' at the Palace Theatre in 1973. I thought it was just amazing, so powerful. The idea of using rock music to tell the story of Jesus was incredible.
I do quite like that Andrew Lloyd Webber song from 'Cats.' What's it called? 'Memory?' Sends shivers up your spine.
I'm gonna stay an album guy. In fact, concept albums are really blowing my mind right now, because if you want to promote an album, think about it - a concept album might be the way to go.
Andrew Lloyd Webber is one of those odd moth-like creatures who seem to combine extreme discomfort with the spotlight with an unstoppable compulsion to leap into it.
We were nominated [for Grammy] once before for our album 1916. We were up against Metallica at the time and they had just sold a quarter of a zillion albums.
When I formed the band and created the Wildabouts with my friends, we decided we wanted to make a band-sounding album, a rock-sounding album. I made two solo albums before that were more experimental albums, and I think that they didn't really resonate with my fan base because they were too out-there, too artsy.
It was a complete no-brainer. Literally, the call came through: Andrew Lloyd Webber wanting to offer you, with no audition, The Wicked Witch of the West at the London Palladium - I'm in!
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