A Quote by Lincoln Steffens

I let my boy go and do and say pretty much as he likes, as, and perhaps because, my father kept no string on me. — © Lincoln Steffens
I let my boy go and do and say pretty much as he likes, as, and perhaps because, my father kept no string on me.
If I want to see someone, I want to see them, and if I don't, then I don't. My friends are always telling me I have to play hard to get because I'll pretty much say to a guy, 'I like you - let's go hang out.' But my friends are like, 'You can't do that! You have to string this guy along.' And I'm just like, 'No! I won't! I just want to go on the date!' It's a nightmare - I definitely haven't figured it out yet.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
Sherman made the terrible discovery that men make about their fathers sooner or later... that the man before him was not an aging father but a boy, a boy much like himself, a boy who grew up and had a child of his own and, as best he could, out of a sense of duty and, perhaps love, adopted a role called Being a Father so that his child would have something mythical and infinitely important: a Protector, who would keep a lid on all the chaotic and catastrophic possibilities of life. ~Tom Wolfe
Humans are pretty amazing at living pretty much anywhere and so that makes me optimistic that perhaps humanity will be able to survive itself, because the reality is that we are going to have problems with water in this century.
I'm a doodler. It was my first job as a boy, and I still do it. At night I keep a block of paper and a pencil with a huge piece of string next to me. When I have an idea, I grab the string and just doodle.
...you must say words, as long as there are any, until they find me, until they say me, strange pain, strange sin, you must go on, perhaps it's done already, perhaps they have said me already, perhaps they have carried me to the threshold of my story, before the door that opens on my story, that would surprise me, if it opens, it will be I, it will be the silence, where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on
If I kept saying it; if I kept reaching out. My accident really taught me just one thing: the only way to go on is to go on. To say 'I can do this' even when you know you can't.
I think it's very pretty. Can it be pretty if no one thinks it's pretty? I think it's pretty. If you're the only one? That's pretty pretty. And what about the boys? Don't you want them to think you're pretty? I wouldn't want a boy to think I was pretty unless he was the kind of boy who thought I was pretty.
My mother's a genius. She just kept feeding me art on whatever we had; paper plates, silver platter, didn't matter. You know, she just kept feeding it to me. So we went to see all kinds of theater. We would go to the art museum pretty much every Sunday, and I would watch her. She let me know that art was supposed to touch.
I can't put much weight into whether the public likes me because the more important thing is that, as an actor, I can truly say that there's not a single director or actor who I've worked with who'd have a bad thing to say about me.
My mother pretty much raised me to be a free spirit. Anything my father would say, she would tell me, 'No, it's like this.'
Def Jam just made deals with me. They wouldn't let me go because they didn't really have that much street cred. So they kept me around.
Mr. Smith yelled at the doctor, What have you done to my boy? He's not flesh and blood, he's aluminum alloy!" The doctor said gently, What I'm going to say will sound pretty wild. But you're not the father of this strange looking child. You see, there still is some question about the child's gender, but we think that its father is a microwave blender.
So I go to the studio, and just say, 'Hi Paul, it's me, Rusty.' I think I kept it together pretty well, although I was pretty nervous. And before the day is over I'm playing guitar, and there's Paul McCartney over there, playing his Hofner bass and singing. All I can do is think, 'This life is so so bizarre.'
I play because I have fun, if I don't have fun on the court, there is something wrong. I am just a 19 year old boy that likes to do what he likes, nothing else.
I've always been pretty much a quiet person. When I was little, I got picked on a lot. After I went through all that, I pretty much kept to myself.
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