A Quote by Linda Barnes

Singers come and go; the music business waxes and wanes. The blues are popular and unpopular, often at the same time. — © Linda Barnes
Singers come and go; the music business waxes and wanes. The blues are popular and unpopular, often at the same time.
In my old age there is a coming into flower. My body wanes; my mind waxes.
But while success and failure depend on conditions, the mind neither waxes nor wanes.
It is safest to take the unpopular side in the first instance. Transit from the unpopular is easy... but from the popular to the unpopular is so steep and rugged that it is impossible to maintain it.
Our sense of the tragic waxes and wanes with our sensuality.
My esoteric doctrine, is that if you entertain any doubt, it is safest to take the unpopular side in the first instance. Transit from the unpopular, is easy... but from the popular to the unpopular is so steep and rugged that it is impossible to maintain it.
People, whether they know it or not, like their blues singers miserable. They like their blues singers to die afterwards.
I think we as a band, as individuals, understand that all popular music stems from blues and jazz and even pop, but rock 'n' roll especially comes from blues.
I don't think I'm turning back the clock by doing these old tunes. I love rock and roll and popular music. It's just that the spirits of the singers whose songs I do are living within me. That's why the songs come out in the voices of the original singers. I'm not doing imitations. That's the way they sound inside me.
In country music the lyric is important and the melodies get a little more complex all the time, and you hear marvelous new singers who are interested in writing and interpreting a lyric and in all form of popular music.
We actually make all of our own music videos. Often we come up with the visual concepts at the same time as writing the music.
Popular culture as a whole is popular, but in today's fragmented market it's a jostle of competing unpopular popular cultures. As the critic Stanley Crouch likes to say, if you make a movie and 10 million people go see it, you'll gross $100 million - and 96 per cent of the population won't have to be involved. That alone should caution anyone about reading too much into individual examples of popular culture.
I'm going to make the music I make regardless and it's always going to be driven by rhythm and blues and hopefully it becomes popular. But I don't cater to, like, 'OK, I want to make music that's going to fit in this pop world or go on the charts, etcetera, etcetera.' Hopefully, enough people like it so it becomes popular.
It's easy to be popular when you don't make the decisions a president makes. And it's easy to be unpopular when you're the president because you're making decisions that at the time might seem unpopular; but when historians sort it out, it changes.
In a lot of African music, the singers are just singing whatever they feel at the time - because the instrumentation is repetitive, they can come and go as they please. That's how we approach it. Not verse-chorus-verse.
I think we as a band, as individuals, understand that all popular music stems from blues and jazz and even pop, but rock 'n' roll especially comes from blues. What we're trying to do is play rock 'n' roll, but other people call it different things.
For me, jazz, R&B, jump swing, Chicago blues, country blues, early hillbilly music, and honky tonk all stem from the same source
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