A Quote by Linda Cardellini
One of my favorite things to do is not to speak on screen. In theater it's different because there's a lot of emphasis on language - it's a different medium. But that is one of the most wonderful things about film. A person's face can say so much more than their voice can.
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Film is very much about capturing the essence of things - if you feel it, and you've got the right person shooting it, it'll come across. Theater's a different animal; it's physically different and requires a different discipline. In the theater, you're mining the same material, constantly honing the same thing, executing it and keeping it alive and fresh.
There were two things that became apparent, pretty quickly into the process. One was that the muscles didn't take as much reconditioning as I thought they would. It was more like voice acting than I thought it would be. You're using your whole body and there are things that are different, but when you are doing a character, even in the booth, nobody is watching but my face will do different things when I do different characters.
I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.
When you're out there doing things, your adrenaline is rushing so much. But getting kicked in the face is never fun. There have been a lot of different painful things, but when you're kicked in the face or kneed in the face, it's not the most pleasant thing.
Doing a film with somebody who's from a different country or culture than you is very fulfilling because they bring with them different insights, experiences, cultural norms, and expectations. All of those things can sort of broaden your own understanding of things or provide a different perspective.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
It's not like I try to be different, but every single person is unique, and every single person has special things to offer, and it's about embracing it and not being afraid of the fact that maybe you're different or quirky, but it's okay to be different, and it can be a wonderful thing.
When you're writing for a game - even if you're using very well known characters like Batman and his villains who lend themselves to many different interpretations - you have to keep in mind that you're writing for a different medium. Things are a bit more straightforward than it is for a feature film or a TV show.
I think the wonderful thing about doing theater is that it's more of an actor's medium. I think that film is more of a director's medium. You can't edit something out on stage. It's there.
There are certain writers I can't read when I'm trying to write because their voices are so distinct. Cormac McCarthy, he's the most different writer from anything I've ever written, but there's something about those really spare sentences that is just tough - it would be too much of an influence. Grace Paley is my favorite writer. Her stuff is so voice-driven, when I read her a lot I want to make my writing more voice-y and dialogue-heavy. I love a lot of stuff in translation.
Most of the theater I've done in the past was when I was a kid or a teenager so it feels like being a kid again. I'm happier than I've ever been. You really get to go to work every day and play, and try different things. I don't know, I've never felt so lucky to do this job. So I hope to do a lot more theater.
You know what? As a black person, you see so much racism. Films are no different than the government, politics - it's everywhere. It's not exclusively film. It's infuriating to see it in film. But my being in film changes things.
It's hard to say what an album is about - because each one is usually about a lot of things to me, but then I hope it also can mean a lot of different things to someone else. That's the beautiful thing about music.
People recognize me on the street for all kinds of different things that I've done. 'That Thing You Do' remains to be my favorite film in which I played my favorite character. That role is the one that I'm most recognized for.
I just feel like TV takes more risks than film. Film has gotten very safe: it's very compartmentalized about what type of things will be successful. And whereas in TV, since all these new platforms opened, they're saying to writers, go out there, write the most different show that you can write. Write something that's really original and different.
People feel so much more comfortable bullying behind a screen than in person. It gives them a mystique and makes them say things that they would never be strong enough to say in person.
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