A Quote by Linda Cardellini

At the beginning of my career, I worked for a lot of people who nobody knew, who have come up to be people that everybody knows. — © Linda Cardellini
At the beginning of my career, I worked for a lot of people who nobody knew, who have come up to be people that everybody knows.
I know from my own experience and from other people in the business that when you come from a place where nobody knew who you were and then there is this sudden shift to where everybody now knows who you are, there's an adjustment that you have to make.
Well, everybody knew their character. I was the only one who didn't have a partner. I basically showed up when people got in trouble. Where I came from, I don't know. Nobody knows. But I would show up to help.
A lot of people think I came out of nowhere. When you start as a songwriter, nobody knows who you are. I met the guy who wrote 'Yeah' by Usher, which was a huge smash, and nobody knew who he was.
Practically everybody I've ever worked with, I'd like to work with again. I had a great time with the people that I've worked with, and the directors, and a lot of the casts. There's really nobody where you'd say, "Oh, I got X, Y, and zed again! Gahhh, no!" It really brings a smile to my face, because in 95 percent of the cases, people I've worked with, I'd be thrilled to work with again.
I think a lot of people who maybe know me from one video or come upon me randomly think I'm stuck-up because I'm blonde, or the way I come off, or from something I might have said. But everybody who actually knows me knows that I'm very down-to-earth and super chill.
We grew up in an era where there was a lot of fear of HIV. Everybody worried about it and everybody took precautions, and everybody knew that it was a thing that was out there. As it slowed down, it left the spotlight, people forgot.
I thought cocaine was a fantastic drug. A wonder drug, like everybody else. It gave you [an] energy burst. You could stay awake for days on end, and it was just marvelous and I didn't think it was evil at all. I put it almost in the same category as marijuana, only hell of a lot better. It was a tremendous energy boost. It gave the feeling, a high, but nobody knew, well maybe a small percentage of people knew. But eventually everybody knew how evil it really was.
I think 'Comic Book: The Movie' is the apex of my career in terms of making a personal statement that has significance to me and resonates with biographical detail about not only my career, but all the people that I've worked with in my career. All of it's riddled, on- and off-camera, with people I've known and worked with for decades.
This is a story about four people named Everybody, Somebody, Anybody and Nobody. There was an important job to do and Everybody was asked to do it. Everybody was sure Somebody would do it. Anybody could have done it, but Nobody did it. Somebody got angry because it was Everybody’s job. Everybody thought Anybody would do it, but Nobody realized that Everybody wouldn’t do it. It ended up that Everybody blamed Somebody when Nobody did what Anybody could have done.
I agree with Ru that it'll never be mainstream, because mainstream means everybody knows it, everybody loves it, everybody accepts it. That's never gonna happen with drag, but it's definitely become more mainstreamed for people that never knew anything about it, being opened up to it as a form of art.
I've been incredibly lucky throughout the beginning stages of my career up 'til now, and so lucky to work with the incredible people I've worked with.
I think everybody knows that you know it's a stretch, but the good part of that though is since it's such a popular show [CSI: Miami] - all these CSIs - I have had a lot of people come up to me and say that they were going to go into that field.
All my family worked for Puma. My mother worked there, and my father was the guy that opened and closed up in the evening. We lived in the neighbouring building - just a couple of steps, and I would be in the Puma factory. All 300 people that worked there knew me; it was my adventure playground. I knew everything, even how to make a shoe sole.
I don't like having hierarchical structures. So, everybody knows that I'm the boss but, from that, I don't like people to walk on eggshells. I like people to be friendly and to feel loved. I think that kind of fits into creativity stronger. If people are scared, they are afraid to come up with ideas.
Anytime you get an idea, you need people to help you put it together. That is the beginning of an institution. When you create an institution, levels of authority and boundaries need to be established. If everybody owns it, nobody owns it. If everybody is responsible for it, nobody will be responsible.
75%-90% of the murders that occur in black and Latino communities are solvable. Everybody knows who did it or somebody knows. The reason nobody talks is because snitches get stitches and people aren't bulletproof.
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