A Quote by Linda Fairstein

You're about to meet a new great dame of crime fiction in Death Was the Other Woman. Linda L. Richards does a stunning job in creating a character with a voice and eye right out of a 1930s L.A. hard-boiled classic: guns and gams, booze and bodies, peepers and perps. Move over, Sam Spade: Kitty Pangborn is on the case.
I wrote my graduate thesis at New York University on hard-boiled fiction from the 1930s and 1940s, so, for about two years, I read nothing but Raymond Chandler, Dashiell Hammett, James Cain and Chester Himes. I developed such a love for this kind of writing.
Most crime fiction, no matter how 'hard-boiled' or bloodily forensic, is essentially sentimental, for most crime writers are disappointed romantics.
And if we’re talking about hard-boiled detectives, too, what could be more hardboiled than the worldview of Ligotti or Cioran? They make the grittiest of crime writers seem like dilettantes. Next to The Conspiracy Against the Human Race, Mickey Spillane seems about as hard-boiled as bubble gum.
The most popular American fiction seems to be about successful people who win, and good crime fiction typically does not explore that world. But honestly, if all crime fiction was quality fiction, it would be taken more seriously.
I think when science fiction is at its worst, it's just spaceships flying around shooting at each other. There has to be a lot more going on than that... science fiction is about exploring new worlds and new ideas, not about ray guns and action, necessarily.
It's always hard but the reality is, especially in my case, that every time I go to work I have to do it so it's become part of the job. It's an extra challenge but it's also quite often another extra tool that you have to really think consciously about getting into the character. So while it does require more work, it's maybe even an advantage to a degree because it forces you to switch, to consciously have to jump into and out of the character.
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
The (Sir Arthur Conan Doyle) stories were great, for one. The thing that makes him a remarkable character is how he can withstand all of these different interpretations and different styles and, that's what makes a classic character a classic character; they keep coming back and you see them in a new way every time.
During the Great Depression, levels of crime actually dropped. During the 1920s, when life was free and easy, so was crime. During the 1930s, when the entire American economy fell into a government-owned alligator moat, crime was nearly non-existent. During the 1950s and 1960s, when the economy was excellent, crime rose again.
On every film, the clothes are half the battle in creating the character. I have a great deal of opinion about how my people are presented. We show a great deal by what we put on our bodies.
At the end of the day I'm just Linda, and Linda is a single professional woman, and a lot of women can relate to what I talk about.
Work hard on each opinion, but once the case is decided, don't look back; go on to the next case and give it your all. It's not productive to worry about what's out and released, over and done. That's advice I now give to people new to the judging business.
For me, talking about the casting couch in the Malayalam film industry was like calling the sky blue. There is nothing new about calling a spade a spade. My intention was not to create an effect; I just wanted to pluck a few weeds in the system and throw them out.
The least-bad scenario is a hard landing, global recession worse than the 1930s. The worst-case borrows from the Four Horsemen of the Apocalypse: war, famine, pestilence and death.
I was reading Raymond Chandler very much with the feminist eye. In six of his seven novels, it's the woman who presents herself in a sexual way, who is the main bad person. And then you start reading more fiction, whether crime fiction or straight fiction, it's just bad girls trying to make good boys do bad things, going all the way back to Adam and Eve. The woman that thou gavest me made me do it, Adam says to God.
I think Bruno Mars is a great example of a great voice and classic songwriting with a twist that makes it contemporary. I think he's done a great job of it. I think Katy Perry has undeniable songs for what she does, for that pop market. And, if we're talking in the truly pop market, I would say those two.
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