A Quote by Linda Fiorentino

If I'm not afraid when I'm reading a script, that means I know I've done it before. If I read something and think, Wow, I can't play this part, then I want to play it more. — © Linda Fiorentino
If I'm not afraid when I'm reading a script, that means I know I've done it before. If I read something and think, Wow, I can't play this part, then I want to play it more.
For me, I wish I loved every script that I read. Sometimes I'm more picky and choosy than I really should be because you would get more jobs as an actor! But you don't know what it is. Sometimes you read something and it could be a big part or a small part. It could be one scene and I'll read it and say: "Wow, I really like that and I really want to do that.".
You know when you've found a part that you want to play. You know it because the part takes you over. It sits in the script waiting for you to play him.
I actually didn't read the book [Fast Food Nation]. I wasn't aware of it. But when I read the script, I thought "Wow." It became a project that was just so exciting to be a part of. Maybe a few times in a career [you] get a chance for a role that really means something, and this was it.
Many times, I like to read the script before I even know who they want me to play, so I can read it and really enjoy it as an audience member. I think that's given me the ability to ferret out the really special scripts from all the rest.
Honestly, I think I have this narcolepsy thing with reading. I fall asleep when I'm reading. So, if I stay awake to read an entire script, I'm like, 'Wow, I need to do this.'
If you read a part that you want to play, and you already know you have actors you want to work with but it's not on the page, it's not going to be on the screen. So that is the most difficult thing to do for a producer, is to get a script that attracts this kind of talent.
If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.
I always tend to see, right after reading the script, the character and how I want to play it. I guess that's sort of most of the work, preparing for the role, but almost the creation of the character seems to go on as I read through the script.
I think I first encountered Ebola from the movie 'Outbreak.' Then there was the book 'The Hot Zone.' It's the type of thing you either read and say, 'Oh wow, that's terrifying,' or you read it and say, 'Oh wow, I want to do that.' I read it and said, 'Oh wow, I want do that.'
If you're gonna tell a story from beginning to end, I always think you have to have a great structure in a script. If it gets you excited and it's something you've never read before that's another plus. I think also with improv and that whole world of stand-up, that's a whole other organism of comedy that still needs a story, but it's more free-form. On the set, it is the combination of both those worlds coming together: a great script and an allowance to play with it.
I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
For me to take a role, I read a script, and I think, 'Wow, I don't know how I'm going to do this, but I want to try.'
Cricket is not everything, not by any means, but it is a large part of who I am. Therefore, I want to play in all formats of the game and to play as much as possible because, before long, it will be over.
I like challenging parts, something I haven't done yet, something that scares me. There's just a feeling I get when I read a script that I love, I feel an attachment to it, a yearning to play that character.
Try and understand what part you have to play in the world in which you live. There's more to life than you know and it's all happening out there. Discover what part you can play and then go for it.
You don't want to do a show and then it's done and say, 'Wow, I didn't do anything.' Please, you don't understand how fast it goes. Before you know it, you're filming your last episode. People remember you a month, and then you're done.
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