A Quote by Linda Hogan
And there is also the paradox that the dominating culture imbues the Indian past with great meaning and significance; it is valued more because it is seen as part of the past. And it is the romantic past, not the present, that holds meaning and spiritual significance for so many members of the dominating culture. It has seemed so strange to me that the larger culture, with its own absence of spirit and lack of attachment for the land, respects these very things about Indian traditions, without adopting those respected ways themselves.
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It has seemed so strange to me that the larger culture, with its own absence of spirit and lack of attachment for the land, respects these very things about Indian traditions, without adopting those respected ways themselves.
In writing of Indian culture, I am highly conscious of my own subjectivity; arguably, there is more than one Indian culture, and certainly more than one view of Indian culture.
You can take things from the past, from the culture, from the immediate past and things that have not yet entered the culture, so they have no history yet. You can create your own context.
Today, nobody cares about European culture. We have a tradition, a vision, a culture of the past, we have legacy, but we don't have a present culture and we don't have a future.
I moved here when I was 20 to go to college. After I moved here, I became much more aware of the importance of the culture and literature to my life. Sometimes when you're immersed in something, you just don't notice it very much. Moving away makes you appreciate your culture. Living here, I've thought more and more about India, and what being Indian-American means to me. And it's made me incorporate things from Indian literature into my own writing.
For my parents' generation, the idea was not that marriage was about some kind of idealized, romantic love; it was a partnership. It's about creating family; it's about creating offspring. Indian culture is essentially much more of a 'we' culture. It's a communal culture where you do what's best for the community - you procreate.
A free culture supports and protects creators and innovators. It does this directly by granting intellectual property rights. But it does so indirectly by limiting the reach of those rights, to guarantee that follow-on creators and innovators remain as free as possible from the control of the past. A free culture is not a culture without property, just as a free market is not a market in which everything is free. The opposite of a free culture is a "permission culture" -- a culture in which creators get to create only with the permission of the powerful, or of creators from the past.
Humans are particularly interesting; our culture is incredible, there's no doubt about that. In many respects, no other species matches ours. But in quite a few respects, they do, and that can help us, perhaps, to better understand our own culture. We look at the ways humans are similar to other animals, and at the ways they differ, rather than just saying, "We have culture and you don't."
There are those who regard this history of past strife and exile as better forgotten. But, to use the phrase of Yeats, let us not casually reduce "that great past to a trouble of fools." For we need not feel the bitterness of the past to discover its meaning for the present and the future.
There are many people who could claim and learn from their Indian ancestry, but because of the fear their parents and grandparents knew, because of past and present prejudice against Indian people, that part of their heritage is clouded or denied.
We know that art is connected with the land, with its salt, with its smell, that outside of national culture there is no art. Cosmopolitanism - a world in which things lose their color and form, and words lose their significance. We love in our past all that we consider native, wonderful and fair.
Modernism was a big thing for me, coming from a father who was very interested in art, music and culture - and almost always Italian art, music and culture. One good thing about Italians is that culture is part of everyday life. But Modernism is a movement of the past. The idea of a Modernist building as a sculpture set on a pedestal of grass is a part of Modernism that I'm not so crazy about.
We must abandon completely the notion of blaming the past for any kind of situation we're in and reverse our thinking and see that the past always flows back from the present. That now is the creative point of life. So you see it's like the idea of forgiving somebody, you change the meaning of the past by doing that...Also, watch the flow of music. The melody as its expressed is changed by notes that come later. Just as the meaning of a sentence...you wait till later to find out what the sentence means...The present is always changing the past.
Indian culture is essentially much more of a we culture. It's a communal culture where you do what's best for the community - you procreate.
In the West the past is like a dead animal. It is a carcass picked at by the flies that call themselves historians and biographers. But in my culture the past lives. My people feel this way in part because death does not separate us from our ancestors.
But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past - or more accurately, pastness - is a position. Thus, in no way can we identify the past as past
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