A Quote by Linda Lavin
I'd forget the piece just before I went out to do the concerto, the panic was too great. This was not anything that gave me pleasure. This was fulfilling somebody else's dream.
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It was always acting, singing and dancing that I loved. Not the horror of performing on the piano in front of an assembled audience of quiet people. I'd forget the piece just before I went out to do the concerto, the panic was too great . This was not anything that gave me pleasure. This was fulfilling somebody else's dream.
About 20 years ago, I had a dream in which somebody sang one of the most beautiful melodies I'd ever heard, and gave it to me, and warned me not to forget it. Of course, I did forget it by the time I had got out of bed. Now as precaution, my phone is overloaded with half sung melodies.
I said yes too much. I said yes to certain projects that weren't for me. It was somebody else's vision and somebody else's dream and somebody else's artistic endeavor, but it didn't necessarily fit in my grand scheme.
I carry in my datebook a piece of paper that my mother copied out for me, from the 1840 Census. Hardy Callaway Culver of Hancock County, Georgia, had 42 slaves, 31 "employed in agriculture." Culver was my great-great-great grandfather. I carry this piece of paper with me every day because I don't want to forget. I don't know what to do with the information, but I don't want to forget it.
I always panic on the first day of work. You can do all the Stanislavsky-backstory homework, but when that moment arrives and you are in the clothes, hair, and makeup of somebody else, and you're saying the words created by somebody else - I never know how to do it. It's a complete mystery to me.
I shift between mediums very frequently. Instead of taking a break from writing, I just write in a different medium or in a different way or for a different purpose, so that I don't actually stop writing - I just go to something else. Like going from a big symphony to a piano piece is great and very refreshing, I find. And then going from that to a big concerto, and then having to go out and play.
All the best ideas come out of the process; they come out of the work itself. Things occur to you.If you're sitting around trying to dream up a great idea, you can sit there a long time before anything happens.But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction.
Writers get to stay with the piece. They don't just turn the script in and somebody else takes it over and goes out and produces it and edits it and all that stuff. We stay with the piece all the way through.
Great. "So not only am I not-human, but Death is my arch foe?" Who, me? Panic? "Anything else you want to tell me, while we're confessing?
I put too many years in business of me working in this industry for me to be a piece of somebody else's thing.
It's hard no to work, so I find a way to put myself back to work. And I think it's important, in between projects, for me to sit down with who I've just become and allow her to continue to evolve and find a home inside me before I go and become somebody else. But I think I also need to learn to relax and not prepare too much, just enjoy life. I notice that my characters go out to dinner and have fun and take these great trips, but I spend so much time on their lives, I don't have much of a personal life of my own. I have to sort of remember to fill out that little notebook on me.
Excuse me, guess I've mistaken you for somebody else, somebody who gave a damn, somebody more like myself.
People planted seeds into me. Older cats gave me the game. My family, especially my mother, gave me the game and I pass it on. That's what it's about. If somebody gives you mental jewelry and you wear it for so long, you want to give it to somebody else for them pass it on.
There is something about me that is collaborative, that wants to get the best performance out of somebody else or to hear something that somebody else has done that's good and to try and make it great.
My test for writing is always, is this fun or does it feel like a job? Is it moving me? Or am I just fulfilling my own expectations - or even worse, somebody else's?
I think it's being innovative and very creative to stay away from flat-out sampling somebody else's record. To me, that doesn't show too much of your creative side unless you take a little piece and add it, almost like spice on a chicken.
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