A Quote by Linda Perhacs
My two young producers, Fernando Perdomo and Chris Price, had to explain to me that there's a division right now between the two sides. They took three living, breathing percussionists to do the beats on the song "Intensity". We've got all kinds of layers, because I kept saying we didn't get all the beats. If you hear a synth, it's because I put my foot down. But I had to fight for it because they wanted it all totally organic.
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Even after rowing in all these pieces, it's often hard to determine who will be selected because the decisive factor in seat racing is speed not margin. Boat X beats boat Y by two lengths over 1000 meters in a time of 2:54. After exchanging "Dave" from X to Y for "Scott," Boat X beats boat Y by one length in a time of 2:51. From the rower's perspective, the result is that Dave beats Scott by a length. But in Mike's eyes, Scott beats Dave because on the second piece, X was three seconds faster-even though it only beat Y by a length.
I actually had to get two fillings. Yeah, I swear. My teeth had been bugging me because I had been eating so much junk food on the road. I was the worst on teh team because I always had a bag of candy with me. I never had any cavities before, but yesterday, I took two for the team.
I had to keep breathing. Even though there was no reason to hope... I stayed alive. I kept breathing. And one day my logic was proven all wrong because the tide came in, and gave me a sail. And now, here I am. Im back... Because now i know what I have to do now. I have to keep breathing. Because tomorrow the sun will rise. Who knows what the tide could bring?
I called all of the producers and although we didn't have enough money to do that, I had to actually know which shots I wanted to get because we only had at most, one or two takes and then we had to move on.
Maybe the only thing that hints at a sense of Time is rhythm; not the recurrent beats of the rhythm but the gap between two such beats, the gray gap between black beats: the Tender Interval.
In the middle of this it was good to have some moments in which whatever was left of you could sit in silence. When you could remember. When the evidence that had gathered could be sorted. And it was a difficulty if another person imagined these moments were their property. Your life got sliced from two sides like a supermarket salami until there was nothing left in the middle. You were the bits that had been given away right and left to others. Because they wanted the piece of you that belonged to them. Because they wanted more. Because they wanted passion. And you did not have it.
I struggled with working with producers because no one openly wanted to give me a chance to rap on their beats. That's just honest talk. No one really wanted to take that risk.
I wanted to be a jazz pianist, but I wasn't good enough. I got into city college because I didn't have the grades to get into university. I took acting because it was a way to get three credits. I just needed three credits and my friend told me to take acting because it was like gym - nobody fails you. I took it and that's literally how I got involved in acting.
I had gotten up to two, maybe three, packs (of cigarettes) a day. And my lungs were bothering me and I'd had pneumonia two or three times. And I was also smoking pot, and I decided, well, one of them's got to go. And so I took a pack of Chesterfields and took all the Chesterfields out, rolled up 20 big fat ones and put it in there, and I haven't smoked a cigarette since then.
I was particularly drawn to Berlin because of its literal, concrete division. Two halves making a whole, or two entities that were altered doubles of each other? Twins that had been separated and kept in neighbouring houses and raised according to different sets of rules as a social experiment? It was irresistible as a metaphor for division in the mind, for a split personality.
I went down to my keyboard and was playing random chords, and the one line I kept repeating was, 'I'm a lost boy from Neverland.' I decided to post it to Vine, and it got the biggest reaction I'd ever gotten. People wanted to hear more, and I had to explain it wasn't a song.
It's the way I enjoy making art - I like sitting down and making five beats; I enjoy that process. I can go two weeks without making a song and just making beats and I'll be OK.
I think one of the biggest sleepers that people are going to be able to dig into later is 'Fermi Paradox,' it's the song before 'Exist.' To me it's got the coolest, it's just so bizarre because it's got one of the most melodic vocal melodies, but we put it over a black metal blast beats.
When I was a young fellow I was knocked down plenty. I wanted to stay down, but I couldn't. I had to collect the two dollars for winning or go hungry. I had to get up. I was one of those hungry fighters. You could have hit me on the chin with a sledgehammer for five dollars. When you haven't eaten for two days you'll understand.
The man does not beat your head because you got a Cadillac or because you got a Ford; he beats you because you're black!
My grandfather had two boys, my uncle had three boys, my dad had me and my two brothers, each of my brothers have had two boys. Then something happened with the chromosomal experiment and suddenly I've got three girls.
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