A Quote by Linda Ronstadt

American radio from the '30s through the '60s was just fabulous. There was such a diversity. — © Linda Ronstadt
American radio from the '30s through the '60s was just fabulous. There was such a diversity.
I never thought about how I didn't have a cell phone or I'm in 2011. I was just so happy to be able to be a character in the 30s and there are these actresses that I really liked in the 40s, 50s and 60s in American movies that I've seen since I was a little girl. But you don't really think like that when you prepare for a role.
I remember I was walking through a store, and I saw clothes a 25-year-old would wear. And the conversation in my head was, 'I'm not young and fabulous anymore.' But, immediately, there was a voice that said, 'No, you can be older and fabulous.' In other words, still just as fabulous, but in a different way.
North American leftists just keep trying to relive the '60s, or to make the '60s happen again.
I've done a show at the Largo Theater called The 'Thrilling Adventure Hour.' We read, like, radio teleplays. It's a send-up of radio dramas from the '30s and '40s. We just did a Kickstarter for that so that we can do a web series and a concert film.
Italy in the 1920s, Germany in the '30s, East Germany in the '50s, Czechoslovakia in the '60s, the Latin American dictatorships in the '70s, China in the '80s and '90s - all dictatorships and would-be dictators target newspapers and journalists.
Whatever had been on the radio in the '60s; I mean we were always listening to the radio.
Whatever had been on the radio in the '60s; I mean we were always listening to the radio
In the 1920s and 30s, when Radio Shack was young, a much earlier generation of nerds swarmed into these tiny shops to talk excitedly about building radios and other transmission devices. You might say that Radio Shack helped define gadget culture for four generations, from radio whizzes up to smartphone dorks.
To turn the radio on and hear so much more diversity, it's so refreshing. That voice that cuts through what you've been hearing, it's inspiring.
Although, from the point of view of sociology, the overt ambition of 'American Pastoral' - to imagine the impact on a good man of America's fall from the family decencies of the '30s and '40s to the self-centred violence of the '60s - outstrips anything Sabbath's Theater attempts, the writing is no less fervid an excurse into the writer's mind.
I'm not trying to dog any artist or genre, but to me, there is a lot of diversity missing from the radio. I miss turning the radio on and getting punched in the soul with a great lyric.
It's an Obama book, certainly. I was delighted, and astonished, to hear recently that he was reading it. It's a book about a new kind of American reality, one that takes diversity for granted. It doesn't celebrate diversity, actually, it just says: this is how we live now.
I just love doing radio. I've learned to be more vulnerable through radio than even I've been through books and writing lyrics. It's a different type of experience where, if I'm writing a lyric, I can sort of hide behind it a little bit.
In the mid-'60s, AM radio, pop radio, was just this incredible thing that played all kinds of music... You could hear Frank Sinatra right into the Yardbirds. The Beatles into Dean Martin. It was this amazing thing, and I miss it, in a way, because music has become so compartmentalized now, but in those days, it was all right in one spot.
I guess Pumas are in their 30s. Cougars in their 40s Jaguars are 50s, and Sabretooths go into the 60s, right?
I guess Pumas are in their 30s. Cougars in their 40s... Jaguars are 50s, and Sabretooths go into the 60s, right?
This site uses cookies to ensure you get the best experience. More info...
Got it!