A Quote by Linda Ronstadt

I didn't love Jim Morrison. There was something very reptilian about him. And I didn't care for his singing, but his band! The Doors were fantastic. — © Linda Ronstadt
I didn't love Jim Morrison. There was something very reptilian about him. And I didn't care for his singing, but his band! The Doors were fantastic.
The Doors were successful. It was Jim Morrison as the centre and the figure and the spokesman, the figurehead, but we were all into the same thing. That's why we were a band.
I didn't love Jim Morrison 'cause he was self-destructive. I loved him because of his work. Because of the way he merged poetry and rock-and-roll. Because he did something new.
Jim Morrison wrote the words for 'Hello, I Love You' when we were still in a band called Rick & the Ravens.
I liked Jim Morrison a lot as a person. He was this very poetic character, and death was always on his mind. And it showed up in his songs - I mean, almost every song he wrote had something to do with dying. He was an American treasure that went way too soon.
My dad was all about music. He was a musician, leading a band when I was born. His band was active all through the 40s. He'd started it in the late 20s and 30s. According to the scrapbook, his band was doing quite well around the Boston area. During the Depression they were on radio. It was a jazz-oriented band. He was a trumpet player, and he wrote and arranged for the band. He taught me how to play the piano and read music, and taught me what he knew of standard tunes and so forth. It was a fantastic way to come up in music.
His incredible untidiness, his addiction to music at strange hours, his occasional revolver practice within doors, his weird and often malodorous scientific experiments, and the atmosphere of violence and danger which hung around him made him the very worst tenant in London.
I went through a big Jim Morrison phase where I grew my hair and wore those black leather pants. I even tried to get the boots, the chains, and I was full into getting that Jim Morrison vibe... but I didn't go overboard or try the mascara.
Jim Jones wanted his people to believe the establishment was trying to kill him because whites were threatened by his message of racial equality. He used the incident to close ranks and turn anyone who disagreed with him into a menace. He warned his congregation that a would be assassin might try to infiltrate their church, so they had to prove their loyalty to him by never questioning his orders. Dissenters became traitors.
I grew up singing in Kansas. My dad had a band when I was growing up. So I sang in church and school and started singing with his band when I was seven. So I've been singing all my life.
Let's take my truck," Jim said as he hit the gravel. "Less noise." And it has a radio, right?" With tragic concentration Adrian started warming up his voice, sounding like a moose being backstroked by a chesse grater. Jim shook his head at Eddie as the doors opened "How can you stand that racket?" Selective deafness" Teach me,master.
The last time I talked to Axl was in 1996. That was the last time we exchanged any sort of words. There was a rumor that I talked to him a while back [and asked to rejoin the band]. I did go to his house one night, and I talked to his assistant about something that had to do with this lawsuit that we were involved in. But it got turned into something else. He went out and made a press release that said I actually spoke to him, which was all bullshit. I was really shocked.
I'd always wanted to make a record with Jim Dickinson, and I'd known about his boys for years, ... He reminded me that when they were 13 or 14 years old they had a punk rock band and I'd called him and wanted to make a record with them then.
People ask me what it was like working with Jim Carrey. Well, I never really saw too much of him. I would talk to him on the set, but I was looking at a Grinch facade. It was his voice and all, but... Jim is amazing to watch in front of the camera. I learned a lot from him. He was also always very nice and generous to me.
Jim MacLaine was the hero of Ray Connolly's 1973 movie 'That'll Be the Day', about a young man turning his back on a university education at the turn of the '60s in order to try his hand in a rock n' roll band.
I love my brother and respect his talent but his present demand that I must give up my equal share of the band and that our drummer for 28 years and original partner, Steve Gorman, relinquish 100 percent of his share, reducing him to a salaried employee, is not something I could agree to.
His cheeks were slick with tears that spilled over his diamond eyes, a ceaseless flow he neither noticed nor appeared to care about. And she had a feeling it was going to be a while before the leaking stopped-an inner artery had been nicked and this was the blood of his heart, spilling out of him, covering him.
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