A Quote by Linda Woolverton
For the blockbusters, people were always telling me that if you write female protagonists, the boys won't go, so you have to put the boys' stuff in it to get everybody. I write for people from 8 to 80, and that's not easy.
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I feel like I 'get' boys. I've always been a boy's girl. Boys are easy; they just break stuff.
I only write about stuff I know. I don't have a lot of experience with boys and stuff so I write a lot of songs about interesting and strange subjects that people wouldn't write songs about.
Songwriters always reminded me of that kid at school who would go around with his guitar, like, 'Yeah, songwritin' man,' looking wistful. That wasn't me - those kinds of people put me off. In the early days, I'd write a bunch of lyrics and almost look at them as a sort of joke, to make the rest of the boys laugh.
People are always telling me that boys won't go to girls' movies and vice versa. It's not true.
I conceive that the right way to write a story for boys is to write so that it will not only interest boys but strongly interest any man who has ever been a boy. That immensely enlarges the audience.
Television is often out ahead on social issues. With film, we've only recently proved that one of the oldest misconceptions in the book is wrong, which is the idea that girls will see films with boys as protagonists, but boys won't see movies with girls as protagonists.
I try to write for highest common denominator. I don't write for dumb people. I figure if everybody doesn't get it, that's OK. Someone bright enough will get it, and that's who I write for. It's probably not the way to make million-sellers. What can I say? I won't apologize for trying to write for smart people.
I think as women we've always been very used to growing up reading and identifying with male protagonists, especially in fantasy. There's a saying in publishing that girls will read about boys, but boys will only read about boys, and it's important to give women strong heroines.
I think everybody should get married. Boys and girls. Girls and boys. Boys and boys! Girls and girls! Shouldn't we all be entitled to a family-Civil rights baby it's civil rights. It doesn't get any better here in Berkeley I'll tell you that.
I've always got on better with boys. Most of my friends are boys. Like, if I have children, I want five boys. Boys love their mothers whereas girls can be so mean to each other.
Just like Lara Jean in my book 'To All the Boys I've Loved Before,' I used to write letters to boys I was in love with - letters full of emotion and longing and also recrimination - but they were for my eyes only.
I think all the boys that write the screaming stuff would write the best love songs... because they have the most to hide. The guys that are in the most pain are usually the ones with the biggest hearts.
We were always told we were one step behind Deep Purple, one step behind Led Zeppelin, one step behind everybody. Our manager didn't want to let us know how popular we were. It's only after we did Ozzfest that people started telling me stuff. I thought they were taking the piss. People would come up to me and go, "Respect."
Is it easy for me to write from a female point of view? Yeah, I am a female. I'm a very sensitive type of guy. I try to put my female hat on and think how a female would think. If I'm watching 'The Notebook,' I'm definitely gonna cry. I cried during 'E.T.' too.
I can write, boy, I can write. That's what I do. The trouble is that it's too bloody easy for people, that's why music is in the sorry state that it is. Any idiot, actors mainly, can go in there, sing a chord, bang on a machine... I'm not objecting to that but when people get at me for trying to say something in a rock 'n' roll mode it's as if I'm the freak.
Some boys accepted me, some didn't. And my family had comments made to them. Brazil is still a very macho society, and sports are mainly for boys, so people would say to them: 'What is this girl doing? Why is she always out there in the soccer games with the boys?'
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