A Quote by Linda Woolverton
I really get fired up with female protagonists. I can really feel the difference in myself when I am writing a script that has a woman at the center.
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I had a hard time on TV, the last time on television, so I wasn't sure that I wanted to do that again. But, I really am a big fan of Jenji and I knew this is her next thing, so I read it. And once I read the script, I was really, really impressed that there was a woman who was the centerpiece of her own story, and that she was in the center of her own narrative.
In my own writing, I avoid 'female' and try to say 'woman' because I feel that the word 'female' has connotations of not just biology but also non-human mammals. The idea of 'female' to me is more appropriate for a female animal.
My mother always wanted me to be glamorous. When I thought about that, it really fired me up, and once I lost all those pounds, I started to feel really good about myself.
If I'm cussing at you, swearing at you, calling you demeaning names, are you really thinking about that last play? Am I really helping you get better? Or am I just making myself feel good by demeaning you? I've really never understood it.
I think that, for a lot of us, the closer we get to showing people who we really are, that's where we feel the most uncomfortable, the most vulnerable. But it's also where the healthiest growth comes from. Like when I can really open myself up to someone and show someone who I really am, it's amazing when it happens.
In this business, if you lose, you're gonna get fired. Now, if you win, you still may get fired. That's the hard part. You see guys having success and getting fired. That's really tough to watch.
I don't consider this hard work. I love it, and I think I get to make a difference. I really believe in Secretary Clinton, and I want to feel like I'm part of making a difference; I really do.
Okay, well, I guess I'm still a kid. Because when I get really angry and fired up and I feel like my back is up against the wall, I will say vicious things.
I was raised as a tomboy with boys, and I never really feel like myself when I am really dolled up at premieres and showbiz events.
It started off really…claustrophobic. I feel like I was really really protected. Really guarded with myself. I feel like they [Def Jam] were giving me the blueprint and I couldn’t get with that
I structure the scripts and work on them on films and work on scenes with writers and but I haven't written a script myself, I really respect what they do and I'm fortunate I get to work with people that I really enjoy working with and we all kind of spitball and work together on these things, but I haven't written a script yet.
I had wanted for so many years to feel that writing really was at the center of my life, not something I did in my spare time. So the writing and teaching feel in some way to be one thing - the personal engagement and the social engagement good partners.
I had a moment where I wrote a movie script, and it was my first movie job, and I was very excited to do it, and my only goal was really not to get fired off of it.
I find myself writing protagonists who do feel pretty cut off from others but who want to make connections and aren't very good at it.
I am really inspired by strong, badass, female characters. I would start with a revenge film, then ease into stories of badass everyday woman who make a difference in their own life for the better of people and environment around them. Stories of self realization.
I'd say a little over a year ago I started doing TM and that's really changed everything. Starting your day off with that and ending with that is pretty powerful. Twenty minutes, you just notice the difference. When I get lazy and don't get it in, I can feel a difference. I do it first thing when I wake up.
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