A Quote by Linden MacIntyre
The Orenda is a powerful story from history, folklore and the imagination, based on the universality of human cruelty, superstition and perseverance. Wonderful writing.
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To be hopeful in bad times is not just foolishly romantic. It is based on the fact that human history is a history not only of cruelty but also of compassion, sacrifice, courage, kindness.
The study of folklore is largely the study of particular folklore genres: myth, folktale, legend, ballad, proverb, riddle, superstition, etc.
If the history of the western moral imagination is the story of an enduring and unending revolt against human cruelty, there are few more consequential figures than Raphael Lemkin - and few whose achievements have been more ignored by the general public. It was he who coined the word 'genocide.' He was also its victim.
Folklore has a moral center to it. Folklore is always, always, always on the side of the underdog, and children have a natural instinct towards justice. They feel indignation at needless cruelty and wistfulness about acts of mercy and kindness.
I always loved English because whatever human beings are, we are storytellers. It is our stories that give a light to the future. When I went to college I became a history major because history is such a wonderful story of who we think we are. English is much more a story of who we really are.
Of the total creative effort represented in a finished work, 75 percent or more of a writer's labor goes into designing the story designing story tests the maturity and insight of the writer, his knowledge of society, nature, and the human heart. Story demands both vivid imagination and powerful analytic thought.
Folklore used to be passed by word of mouth, from one generation to the next; that's what makes it folklore, as opposed to, say, history, which is written down and stored in an archive.
Folklore used to be passed by word of mouth, from one generation to the next; thats what makes it folklore, as opposed to, say, history, which is written down and stored in an archive.
History is not the story of heroes entirely. It is often the story of cruelty and injustice and shortsightedness. There are monsters, there is evil, there is betrayal. That's why people should read Shakespeare and Dickens as well as history ~~ they will find the best, the worst, the height of noble attainment and the depths of depravity.
History is the art of making an argument about the past by telling a story accountable to evidence. In the writing of history, a story without an argument fades into antiquarianism; an argument without a story risks pedantry. Writing history requires empathy, inquiry, and debate. It requires forswearing condescension, cant, and nostalgia. The past isn’t quaint. Much of it, in fact, is bleak.
It's so easy to call something a Jewish story or a gay story or a woman's story. Aesthetically, if a story is not universal, it has failed. Your obligation is to the story. One rule creatively, and emotionally, is its universality.
It's been by turns frustrating and fascinating and wonderful beyond imagination. If what I suspect is true, it's one of the most important milestones in human history to acknowledge that we are not alone in the universe.
How many times do you read about 'the Cinderella story,' the story of the underdog, the story of the ordinary human being, often subjected to cruelty and ignorance and neglect, who somehow triumphs?
The creation story unfurling within the scientific enterprise provides the fundamental context, the fundamental arena of meaning, for all the peoples of the Earth. For the first time in human history, we can agree on the basic story of the galaxies, the stars, the planets, minerals, life forms, and human cultures. This story does not diminish the spiritual traditions of the classical or tribal periods of human history. Rather, the story provides the proper setting for the teachings of all traditions, showing the true magnitude of their central truths.
Imagination plays too important a role in the writing of history, and what is imagination but the projection of the author's personality.
What I love about sketch is that the writing of it is idea-based. It's not story-based. It's like, 'This is a behavior, and we're going to write, in a small sample, the funniest way to heighten this behavior.' Sitcoms or movies are about story.
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