A Quote by Linder Sterling

I feel very affectionate towards my younger self and all of my fellow collaborators. I think that we were very brave at times. We perpetually took ourselves out of our comfort zones and tirelessly explored endless possibilities, to create music for the times that we lived in.
I think after Iceland's independence in 1944, we were not very sure of ourselves and our confidence was really low. It took one generation to sort of get over that. I'm second generation. My parents were born in 1945-46. Our movement at the punk times was like, we can sing in Icelandic, we are strong.
I think we go through our lives limiting our potential, and when times are tough, it's easy to convince ourselves that something isn't possible, but if you start there, then you limit yourself and the possibilities of what you can create.
I think sometimes my humor is extremely dry, and a lot of times I would say things that I thought were very funny but... I have a reputation of - people think of me as a very fundamentalist, humorless fellow.
If you look at somebody like Bach, he didn't need collaborators to write for keyboards, cello, violin or anything else. I feel the same way about my music. The times that I have worked with other people, I've been very unhappy with the results.
We want to take ourselves out of our comfort zones; when you're in your comfort zone for so long, you only play to a certain level.
The thing that I think was very brave of my younger self was that he decided he would be an idiot. Just persevere. That feels brave to me: deciding that I'm going to damn well be this person that I've set my heart on being.
I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really. And I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.
The possibilities are endless now, with performing, getting your music online, getting your own website and getting your music out there. I think that's very cool and amazing.
I was a housewife, so I learned to write in times off, and I don't think I ever gave it up, though there were times when I was very discouraged because I began to see that the stories I was writing were not very good, that I had a lot to learn, and that it was a much, much harder job than I had expected.
I think '60s are appealing to creative people, because it seemed to be a time of endless possibilities, when the boundaries of what could be considered popular culture were being expanded almost by the week. It doesn't feel like that anymore. At times, I wish it were so. Radio is a perfect example; good God, I mean, back then the most interesting songs were also hits, and that's just not true anymore. It hasn't been true in a long time.
What we think is, in the adult person, very much a matter of what we allow ourselves to think, and what we feel is very much a matter of what we allow ourselves to feel. Moreover, what we think is very much a matter of what we wish and seek to think, and what we feel is very much a matter of what we wish and seek to feel. In short, the condition of our mind is very much a matter of the direction in which our will is set.
Music does not exist in isolation, it is rooted in the political, the social, the cultural. We need to remember this at all times, and especially in these times! Our voices have never been so very critical.
Saying you're a pop group isn't saying very much. Personally, when I think of pop, I think of instant, accessible, catchy songs - I definitely identify our music as that. I think that by writing pop, or instant, accessible or hopefully catchy music, it shoes you into bigger audiences because it seems that more people like that music. I think the possibilities are endless if you stick to a simplistic short song; the music can be as wild and bizarre as you want it to be, as long as at the core of it, there's something really strong.
At times I am very self-critical and disappointed with my appearance, and there are other times I think, 'How lucky I am to be alive.'
My creativeness stems from my love of music. Music is pure emotion. Music is the infinity sign. Music is self-expression in its purest form - it's how I express my anger, my self-doubt, my love. I think my music is very vulnerable and very expressive, very transparent.
In the beginning we were creating our music, ourselves, every night . . . starting with a few outlines, maybe a few words for a song. Sometimes we worked out in Venice, looking at the surf. We were together a lot and it was good times for all of us. Acid, sun, friends, the ocean, and poetry and music.
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