A Quote by Lindi Ortega

Certain social situations make me feel like a square peg in a round hole. Realising you can connect to the human race through song makes me feel less alien. — © Lindi Ortega
Certain social situations make me feel like a square peg in a round hole. Realising you can connect to the human race through song makes me feel less alien.
You had better be a round peg in a square hole than a square peg in a square hole. The latter is in for life, while the first is only an indeterminate sentence.
That's me. I can be me a bit at home, but I'm kind of like a square peg in a round hole.
It's just a moment that doesn't feel 100-percent truthful, a kind of a square peg/round hole situation. Which is why the preproduction on a movie is so important, because you can't just push those through.
He’s not your typical prince, more like a square peg in a round hole, kind of like me. He’s the sort of guy who wouldn’t mind reading side by side on a date.
When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
In the past I've always been the type of person to try and fit a square peg in a round hole. I can be very tenacious like that. But since I've had my daughter, I've found that I like the way life unfolds when I give the universe some space to guide me. It took me until my forties to realize that.
This whole business feels kind of intense, like a bad fit. Round peg, square hole. But whatever, I'll take it.
But then I have always been somewhat of a square peg in a round hole.
It makes me feel like a woman. It makes me feel that all the things about my body are suddenly there for a reason. It makes you feel round and supple, and to have a little life inside you is amazing.
A journalist asked this to my father. He spent a day with me and interviewing my friends/colleagues and didn't understand how I could be the one that created 4chan and, as he put it, 'couldn't understand how to fit the square peg into a round hole.' The best way I have of describing it is, 'I didn't define it, and it doesn't define me.'
I was always an odd girl; I managed to alienate a lot of people. I felt like a square peg in a round hole in the music industry and created a lot of neurosis for myself.
You know, it was a small, independent movie and with Paramount becoming involved, it was obviously a good thing, but you can't put a round peg in a square hole.
I love life... Well yeah, and I'm sad, but at the same time I'm really happy that something could make me feel that sad. It's like, it makes me feel alive, you know? It makes me feel human. And the only way I could feel this sad now is if I felt somethin' really good before. So I have to take the bad with the good, so I guess what I'm feelin' is like a, beautiful sadness.
Ideally, writers and narrative designers should be included much earlier in the process, where they can be of most benefit. However, although the industry is slowly getting used to fitting narrative professionals into games development, we're still going through a bit of a 'square-peg in a round hole' phase.
You think you're in control, and you're trying to get that square peg in that round hole. You're frustrated, and you realize that you're not in control of everything. You need to just step back and let God.
As an actor, it made me realize a really important lesson. I didn't have to put any spin on the ball as Rita [in Dexter]. All I had to do was speak. And there was such simplicity in that as an actor. With Debra, I was trying to put a square peg into a round hole, and it just didn't work, but in my mind, because I had to work so hard on it, I was, like, "Oh, this is acting!" But that's not acting.
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