A Quote by Lindi Ortega

I like to work with different musicians and producers to change the feels of every release. — © Lindi Ortega
I like to work with different musicians and producers to change the feels of every release.
A lot of actors want to do a solo release, but not many people go and watch it. The more you work with different actors and producers, the more your work reaches people.
It feels like we've grown enough as musicians over the last few years to go new places, and our conceptual and compositional abilities have developed along with it, so we're pushing all the envelopes we can at the same time and it still feels like cutting edge work to us. It seems to resonate with people.
If you could custom build new cinemas for every release of every movie, I think filmmakers would work in a lot of different aspect ratios.
I believe in tension and release, in that if you stay in the the same tone and mode and intensity for too long, it actually becomes monotonous. When you change up your pace or your humour level, then the release is welcome... I believe that's my biggest job: tone control, and maintaining enough unity so that it all feels like one movie and all the scenes belong together, and yet diversity so that emotional and narrative interest is maintained.
Musicians don't respect a lot of the stuff that is on TRL and a lot of musicians think that stuff on the radio is not good musically so when musicians say that they like us it obviously feels good.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
It's just a joy to be able to work with a lot of different musicians. When you play with great musicians, whether they're schooled or self-taught, they keep you on your toes.
The music industry is dominated by guys. I work with men 98 percent of the time - producers, arrangers, musicians, engineers.
Every project is different. When I'm working on my albums, I've worked with different producers and they've all had different personalities. The recording studio sets the vibe, and that changes as well.
Every single job I do. It sounds goofy but I did a music video for Fergie. I was in full on tattoos, ponytail, but it's like even things like that they help other people to see you in a different light. They give me opportunities. I try and change the image with every job that I can, it's just hard when you work on a TV show and you work so many months and trying to get away from that.
Every teenager in the world feels like that, feels broken or out of place, different somehow, royalty mistakenly born into a family of peasants. The difference in your case is that it's true.
All you do is you go back to the Maida Vale Studios at BBC in London, and it feels like you're in a spaceship. It feels like you're in 2001 or something like that. It's massive and well constructed and highly technologically advanced and occupied by these wise scientists, engineers, and producers. Listening to it, it just doesn't sound like me - that's a younger self that didn't know who he was or what he was doing. I can't identify with a nebulous cloud.
I like to be risky every day, changing minds every day. I'm not reliable at all in my ideas. I can change my ideas three times a day. I change different things, the parts of the content. But I never change the content of who I am. So my challenge every day is to change and to take risks.
I like to be in the zone. I like being in the studio with the artists, with the producers, with the musicians, feeling it, and going there. I feel like I have a lot of content to start writing about.
I'm in four different films this year, and I have four different accents. I sound different in every film. You have to love a character to play it well, and change in my work is what I want.
I think different games have a different chemical release in your brain as far as reward goes. I like making puzzle games, just because I know I'm kinda good at it, and they really are superfun to work on.
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