A Quote by Lindsay Duncan

I'm perfectly gregarious, but I can also be really happy left to my own devices with nobody watching me or listening to me. — © Lindsay Duncan
I'm perfectly gregarious, but I can also be really happy left to my own devices with nobody watching me or listening to me.
He lay face down, listening to the silence. He was perfectly alone. Nobody was watching. Nobody else was there. He was not perfectly sure that he was there himself.
I really love working. It makes me feel like an even better person when I work. I function much better if I have a really rigid schedule. When I'm left to my own devices, I can just be all over the place.
But that's something that I like about scoring film: it makes me reach out of the parameters of my self, it requires me to do things musically that I wouldn't normally do left to my own devices.
When left to its own devices it tends to make me look as if I’ve been set afire.
I never really saw my dad around when the Iron Maiden and the AC/DC were playing. But he knew what I was doing. I was just absorbing music. So he just kind of left me to my own devices.
There must have been something in my nature - I believe, with all my heart, that I have conquered it now - which prevented me from being perfectly happy or making a woman perfectly happy.
Left to my own devices, would I trade this for firm thighs, fewer wrinkles, a better memory? On some days. That's why it's such a blessing I'm not left to my own devices. Because the truth is I have amazing friends and a deep faith in God, to whom I can turn. I have a cool kid, a sweet boyfriend, darling pets. I've learned to pay attention to life, and to listen. I'd give up all this for a flatter belly? Are you crazy?
People are really surprised when they meet me that I'm a recluse. People think I'm very gregarious and outgoing - and I am - I'm thinking about writing a book about it called 'The Gregarious Recluse.' How the more that you put me out there in front of audiences, the more that when I have down time I have to disappear.
There are two things that really move me: music and acting. And I'm not talking about my music or watching myself as an actor, but listening to other people's music and watching other actors. There are so many different songs that have moved me. It all depends upon the mood that I'm in at that moment.
It is impossible for me to estimate how many of my early impressions of the world, correct and the opposite, came to me through newspapers. Homicide, adultery, no-hit pitching, and Balkanism were concepts that, left to my own devices, I would have encountered much later in life.
If I was left to my own devices, you would see about ten T-shirts in rotation with maybe a few nice pairs of jeans - but I also like to look good. I like feeling really well put together, I just don't have the aptitude and the knowledge to do that.
I don't belong to anything, nobody's listening to me and I don't have any levers that control my own life.
Watching myself. Watching the people around me. There was some part of me that was there as a kid and growing up and living my life, but there was also some part of me that was watching it all happen from the nosebleeds.
I think being an only child created in me a degree of self-reliance, which I'm glad of. It made me perfectly happy with my own company and perhaps was good conditioning for the protracted solitude of writing books as slowly as I do.
I would rather do a play because it's instantaneous. You go on the stage, and you know whether it's happening or not. Somebody asked me 'What is acting?' And I said, 'Acting is listening.' And if you ain't listening, nobody's listening.
I want a director who can let me feel that he's listening and watching and that he's got me covered. That security is really important for me because sometimes you go into a vulnerable space, and you want to be able to look to somebody because you get insecure: 'Did I do that right?'
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