A Quote by Lindsay Mendez

I teach a lot of young musical theatre actors, and I notice that a lot of them say that they have a harder time connecting the classic repertoire. — © Lindsay Mendez
I teach a lot of young musical theatre actors, and I notice that a lot of them say that they have a harder time connecting the classic repertoire.
My mum raised us on classic movies and a lot of musical theatre.
There's an infantilization that happens to actresses in general - musical theatre, straight theatre, television, film - we're spoken to like children. Actors are spoken to like children a lot of the time.
I came to musical theatre from straight acting, and a lot of my friends have a real prejudice about musical theatre - one I probably shared.
I get bored at the theatre a lot because I notice that there's not always a connection between the actors. They may be technically proficient, but they're not surprising each other. I'm thrilled by actors who make choices that are surprising.
I think a lot of actors, especially actors with a theater background, have a musical ear. A lot of actors just want to be musicians anyway, and a lot of musicians want to be actors.
I'm not saying every musical theater actor can do film or television, but a lot of them can. A lot of them are brilliant actors who absolutely don't need to sing to prove their ability and don't get the opportunity.
Now, it's my belief that Python is a lot easier than to teach to students programming and teach them C or C++ or Java at the same time because all the details of the languages are so much harder. Other scripting languages really don't work very well there either.
I wish and pray there are a lot of young people with technology and way of thinking that can create a brand new kind of musical theatre.
I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.
A lot of actors won't do things because they say it is boring when you are always working. A lot of them won't go on tour, a lot won't do pantomime. I think you should do everything.
I've done a lot of musical theatre, but I equate 'Mr. Cinders' a lot with why I became an actor.
When you're a veteran and speak to a lot of these young players, teach them a lot of things, it's amazing to me the way they're able to translate that to the court.
We Sioux spend a lot of time thinking about everyday things which in our minds are mixed up with the spiritual. We see in the world around us many symbols that teach us the meaning of life. We have a saying that the white man sees so little, he must see with only one eye. We see a lot that you no longer notice. You could notice if you wanted to, but you are usually too busy. We Indians live in a world of symbols and images where the spiritual and commonplace are one…We try to understand them not with the head but with the heart
What musical performers bring to straight characterizations is that physical flexibility that comes with knowing your body so well. A lot of actors are terribly awkward. Terribly. And I think it's so important for them, when they're young, to work on their physical selves.
Opera is musical theatre, and the music can teach you so much about the theatre. Very often I use musical terms to think about how I comport myself on stage: I employ 'rubati,' 'ostinati,' 'cadenze.' Finding these parallels is very fascinating for me.
I've always loved musical theatre. I've always been a big kind of closeted musical theatre nerd. I really have always dreamed about being able to do musical theatre.
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