A Quote by Lindsay Mendez

I'm a Mexican girl from California, and I never grew up thinking I could be in a Rodgers and Hammerstein musical. I didn't really see myself in that. Not that I didn't grow up loving Rodgers and Hammerstein, but I don't know - I just never put myself there.
I've never met a Mormon I didn't like. They're really nice people. They're so Disney. They're so Rodgers and Hammerstein.
Not being a natural songwriter... for me the appreciation of a great song and the writers came early on, growing up in a musical family. My dad got to sing songs by some of the greatest writers of all time, Rodgers and Hammerstein.
The music and lyrics of Rodgers & Hammerstein connect seamlessly. Singing those beautiful songs was a joyous experience for me, and one that I will never forget.
I've been singing Rodgers and Hammerstein all my life.
One musical that deeply influenced me - and continues to do so - is the 1997 ABC TV movie of Rodgers and Hammerstein's 'Cinderella,' starring Brandy, with Whitney Houston as the Fairy Godmother and Whoopi Goldberg as the prince's mom.
The genius of Rodgers and Hammerstein is that their songs become a part of the DNA of the audience.
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
When I was 12 years old and first decided I wanted to be a songwriter, the people that I always looked up to were Rodgers and Hammerstein, Leonard Bernstein, and people like that.
In the Rodgers and Hammerstein generation, popular hits came out of shows and movies.
It may sound amazing to people today, but Rodgers and Hammerstein were considered by - how can I put it? - the sort of opinion-making tastemakers and everything to be 'off the scale as sentimental.'
And what could be a hotter ticket than the improbable triumph of 'The Book of Mormon,' the musical-comedy moon shot of the season? Its creators, Matt Stone and Trey Parker, of Comedy Central's 'South Park,' are the most unlikely Rodgers and Hammerstein team ever to bowl a thundering strike.
My grandmother had always played show tunes from classic musicals at the piano when we were growing up, so that helped me fall in love with Rodgers and Hammerstein, Cole Porter, Lerner and Loewe, etc.
I have only one bit of advice to beginning writers: be sure your novel is read by Rodgers and Hammerstein.
I have only one bit of advice to the beginning writer: Be sure your novel is read by Rodgers and Hammerstein.
I feel very fortunate to have been associated with people such as Rodgers and Hammerstein. I think they were geniuses of their time.
I'd love to tackle a classic Shakespeare play or take on Nora Helmer in 'A Doll's House.' Musical theater, it's the classics like Rodgers and Hammerstein and Cole Porter's 'Kiss Me Kate.' I'm much more a Julie Andrews-type soprano than an Idina Menzel.
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