A Quote by Lindsay Mendez

I have a big persona onstage sometimes, but offstage, I'm super shy. Like, I don't want to perform for people - I'd rather die than sing in a room for someone. — © Lindsay Mendez
I have a big persona onstage sometimes, but offstage, I'm super shy. Like, I don't want to perform for people - I'd rather die than sing in a room for someone.
Onstage, it was always comfortable for me, because that's where I felt at home. Offstage, it was a different situation. I was still shy offstage.
The music is key. It has the power to transport you. I go from being a slightly insecure, shy kind of a person offstage, to this super-confident, motivated, entity onstage.
I'm the most mellow person offstage. I think it's just, going onstage lets me get out some frustration that I'm too shy to do in real life. Instead of doing it in private, I'd rather do it in front of 1,000 people who've paid $25 to see me lose my mind.
The thing about singing is that if you're having fun while doing it then people will have fun watching you do it. Like in karaoke if you're like "I don't think I can do it" and then you sing a song and you look terrified people will say, "Poor guy or poor girl, get offstage. You're killing us." But if you get onstage and you don't sing that well but you give it your all, people will be like, "Yeah, I'll chug beer to this!".
I feel like sometimes I get even more goofy onstage than I am offstage. I'm not trying to make the music less than what it is. Even if it's hard for me and I have to think about a lot of details, it's none of the audience's business. I don't want them to feel that I'm having a hard time.
I think I wanted to sing, but I just couldn't because I was so shy. I didn't really know how to begin that other than like, singing in my room, locking the door, and trying to sing kind of quietly. I knew my mom would want to listen and she would probably bug me about it.
Onstage I'm always different than offstage. I can be very friendly offstage, but onstage I will pull one trick after another on my competition to wipe him out, you know-because it's my living and I have to win. Franco is my best friend, but I will do as much as I can to make him look bad and make me look good.
Eventually everyone has to hit the dark side of life - Someone doesn't like you, someone doesn't like your work, someone doesn't love you back... people die. What we have is a generation who are super-confident and super-positive about things, but when the least bit of darkness enters their lives, they're paralyzed.
Sometimes I think I'm more comfortable onstage than I am in my own room. When I get onstage, it's kind of like your chance to let go and be something that you're not maybe. It's your time to dream.
Onstage it was always comfortable for me because that's where I felt at home. Offstage it was a different situation. I was still shy offstage and unfortunately, my shyness and my inability to communicate and really have great conversations or be part of the gang - in inverted commas - led me to the drug addiction, which, you know, blighted my life for 16 years because I thought by doing that it would make me join in.
My first stand-up experience, like most comics, was horrible. I got booed offstage. I thought I was funnier than I was. But the walk from the back of the room to the stage was the most excited I'd ever been about anything in my life other than kissing a girl. That's how I knew I had to get back onstage and do it again.
Music makes my heart beat. The more i hear, sing and perform on stage my heart beats stronger than ever. I want to live like this until the day i die.
My onstage persona really is a persona, you know, and really the moment I step onstage, it kind of kicks into gear.
I am always interested in making myself as uncomfortable as I can. Sometimes I ask myself, 'Can I stand onstage and sing this song and sell it?' Sometimes I can't. In a room, you get to pretend a little bit and step outside of yourself.
You are life, inventing form. No more can you die on sword or years than you can die on doorways through which you walk, one room into another. Every room gives its word for you to speak, every passage its song for you to sing.
You can do stuff onstage that you can't do offstage. You can be angry as hell and enraged and get away with it onstage, but not off.
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