A Quote by Lindsay Wagner

My comedy is different than a lot of people's. — © Lindsay Wagner
My comedy is different than a lot of people's.
I think comedy is a bit more international than people credit. I happily watch lots of American shows and American comedy films. If I did a list of the top 10 comedy films in Britain, there's no sense that it would probably be different than yours.
Horror is like comedy. Woody Allen's comedy is going to be very different from Ben Stiller's comedy which is going to be different from Adam Sandler's comedy which is going to be different from Judd Apatow's comedy. They're all comedy, but they're all very different types and you can enjoy all of them. Horror is the same way.
Like, I'm trying to make a statement that clean comedy is somehow better or loftier than dirty comedy, and I don't feel that way at all. I just think it's different. It's different. There's rock music, there's jazz music, there's reggae music: All of those forms are different.
My experience - and it might be just the kind of comedy that I do, which is usually sketch comedy - is that there's a lot more texture and subplot in drama than in comedy.
People always say 'You do racial comedy.' And I don't, exactly. I do cultural comedy. Because race and culture are two different things. There's black people from America and then there's black people from Africa. Racially, they're the same; culturally, they're extremely different.
I'm a lot smarter and thoughtful of a comedian. This market is different than it was. You don't have to have cable to hear this comedy. It comes on a basic channel, and that's one of the biggest differences between now than when I first started.
British comedy - which has been a big inspiration to me for many years - is very different to Australian comedy and different again to American comedy.
Women comedy is different than men comedy. Guy comedy is very aggressive, it's about insulting each other, name-calling, and kind of busting each other's chops, and that's not what women's comedy is.
With comedy, you have to do it right. In a drama, there's a lot of different ways to succeed in a moment. But comedy comes from reality. You can't try to be funny.
A lot of people think that comedy is sort of a cop out to not wrestling seriously, but I actually would argue that comedy is much more difficult than wrestling seriously because you have to be creative in almost everything that you do if you want the comedy to make sense within the realms of pro wrestling.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
Interestingly it's when you come to the comedy, that's where a lot of the discussion is. It's like ten people sitting around talking about what is funny. "Is that funny? Is that funnier than that? Is this slightly funnier than this?" I guess that's what it's like when you're making a comedy movie as well, you just have to sit around talking seriously about the nature of comedy.
I think that you take the path of least resistance. And for a lot of people comedy is that path. I mean, even against mainstream, it's easier to sell a comedy than a drama.
I don't think I could compare myself to Macaulay Culkin, because we're pretty much two different kinds of actors. He's done a lot of comedy. He does mostly just comedy like 'Uncle Buck' and 'Home Alone' and 'Home Alone 2.' And I've done a lot of different stuff, like sad movies, like the movie about the kid with AIDS.
Doing [a relationship comedy] with Sam [L. Jackson] was exciting. I've done a lot of comedies with a lot of comedy people. My peers. I've never worked with anybody of the kind of dramatic caliber of movie actor that Sam is. It was a little bit intimidating for the first day. Or two... Or the first week. Other than that, it was a joy.
What I love is the comedy of the body. It's a little highfalutin', but you can even say pre-verbal comedy. People laugh differently at stuff that isn't brought to them via the spoken word. It's from a different place; it's a different quality of laughter.
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