A Quote by Lindsay Wagner

I did the 'Bionic Woman,' which of course had a lot of humor in it, and that was really a function of a lot of the ad-libbing and the things that I did in it. — © Lindsay Wagner
I did the 'Bionic Woman,' which of course had a lot of humor in it, and that was really a function of a lot of the ad-libbing and the things that I did in it.
I did radio, I did television, I did opera, I did films in which I had very, very little to say. But I had a lot of experience in front of the camera, and that's what really counts.
I have a lot of respect for people who are great at ad-libbing, and for writers and directors who are able to create a scene in which that works.
I think my mother had a lot of opportunity when she was a kid. She was a model, and she did a lot of things in her life, but she had no real ambition. I think my mother really did want a home and kids and all of that.
So one of the things that I learned in my old company, GSI Commerce that eBay bought in 2011, was we did a lot of things right, but we also did a lot of things wrong at that company. And so I've really learned focus is everything.
I have a real hunger to experience life. I'm really, really inspired by my family. I grew up with my family, really did a lot; we took a lot of road trips, we did a lot of different businesses, we'd always tried stuff. For me, that just kind of sparked something from the time I was a kid.
"Stuffed and Unstrung" started as a workshop, actually, classes within our company. We found that our puppeteers were not ad libbing as well as traditionally, Jim Henson Company puppeteers have. We're sort of famous for going off script a little bit and ad libbing.
There aren't a lot of female story artists, and it's baffling to me. There are a lot of kids in school that are female and I wonder, 'Where did they all go?' People have brought it up, asking me, 'What did you do?' I don't really know. I puttered along, did my thing and gender has really never been an issue.
I did a lot of fun things before I had kids - I traveled a lot. Now, I just really love being with my kids.
I did a lot of serious plays, and I did the Oxford Review as well, which is supposed to be funny, but I'm not sure how funny we were when we did it. Then, when I finished my course, it was only then that I decided to go to drama school and try and do acting because I was enjoying it so much and so on.
The reality is that the founding fathers were land speculators. The fact was that you couldn't vote in this country if you did not own land, and that was basically you had to be a white man who owned land. Now how did they get that land? They basically had to steal it from someone, and that would be probably the Indians. And so most of the initial founding fathers were, while they may have had some really nice ideas about democracy, they had a lot of issues with people of color. They had a lot of issues with people who held things that they coveted.
I think a lot of ex-addicts. They find a lot of humor in what they did because they lived through it.
I always will be a Raven. That's where I was kind of raised in the NFL. I did a lot of growing, and we did a lot of special things. That's something that can never be taken away, and it never will. There's a lot of love there.
I did a track with Khao, out of Atlanta, who's worked with T.I. Did a track with Maylay, who did a lot with John Legend's album. I got in the studio with Kanye West; we did a song. The dedication for the career takes a lot of work, but if you love it, it's worth it.
Going from 'Dexter' to 'Powerpuff,' there was a lot of dialogue, there was a lot of... you know, we did action, of course, but I was getting burned out on the words, and both shows had this big, thick black outline.
I have a lot of respect for people who are great at ad-libbing and for writers and directors who are able to create a scene in which that works. Judd Apatow is fantastic at it. But as an audience member, I like the sound of something that's been written - I like it to sound written.
I did an Off-Broadway show that was a comedy written by Ann Meara. We were like a family, and we did that show for a year. On Oz, I did feel like the cast members were friends and there was a lot of bonding. That said, there was a lot of testosterone. Once again, it was full of really intense theater actors with this writing that was really intricate and subtle.
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