A Quote by Lindsey Buckingham
The rest of the band had a cynical view towards the way 'Tusk' was made and the reasons why I thought it was important to move into new territory. It wasn't just negativity. There was open hostility. Then I got a certain amount of flak because it didn't sell as many as 'Rumours.'
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I got a lot of flak for having Kirk as the lead because they all claimed it was a much harder sell, but no one else could have done that part for many reasons.
I've spent the majority of my life estranged from either one or both of my parents, and I've really had a lot of time to break down all the reasons why. There was something buried inside of me that said, I've got to kind of unravel the reasons why I don't talk to them; why not just one, but both of my parents and I have these really messed up relationships. And why I've been so fractured all these years. I got to the point where I thought, I was not the best kid. I openly admit that. But then I realized it doesn't matter. I was a kid!
There are many situations in life where we don't think while behaving in a certain way. Then there are instances which leads to the realization that maybe this is happening because you had behaved in a certain way. This thought at times is self liberating, according to me.
I think one of the reasons why our brand has grown is because we never close any opportunity. We are open to anything and then we sort of move forward from there.
My books don't sell anymore. There are many reasons why they don't sell, but one of the reasons is because people don't read anymore. Forget about reading books of detail - they don't read at all.
You have to move so you don't die. You have to move so your brain doesn't atrophy. You have to move so that you look a little bit like a person that you might want to be. There are a thousand reasons why exercise is important, and I've had to find ways to make it sexy for myself.
I always made the joke that I would have loved to have been a fly on the wall when Warner Brothers first put 'Tusk' on and listened to it in their boardroom as a follow-up to 'Rumours.'
In a way, as much as we love to be a big, loud rock band, the acoustic album was a lot easier to make than the rock records. I think because it was brand new territory for the band.
Spandau wasn't just about the music; it was about the fashion that went with it too. We were part of the New Romantic movement that happened around the Blitz nightclub in London, and we thought the best way to sell the band to America was to take the whole package to New York.
I've dodged so many bullets. Not just because of unsafe sex, but because of the amount of drugs I did, the amount of alcohol, the amount of work I was doing. I started the Elton John AIDS Foundation because I got so lucky.
You can count on one hand the white rappers that have made it. So I just wanted to show the point of view of an actor in Hollywood, because what could be more soft than that. Rapping about auditions and acting and stuff. I thought it was just uncharted territory to clown on, so that pushed through with Dirt Nasty.
I had many, many, many death threats. I couldn't open letters for a long time, because they all had to be opened by either the FBI or somebody. I couldn't open letters. I had to be escorted. In fact, just recently I went to a funeral, Calvin Wardlaw, who was the detective -- the policeman -- with me for two years, passed away just recently. He and I got to be bosom buddies really, but that was the hardest part. I wasn't able to enjoy -- you know.
There's a certain kind of idealism attached to 'Tusk' as a subtext to the music, and I think people now can respond not only to how colorful and experimental it is, but also why it was made.
The quickest way to get to the top in society probably is to be a Blair Babe now. And then all of a sudden you find you're invited to parties. I don't want to be cynical, because I'm not. But I've seen it happen to so many people who move from the left to the right so damn quickly.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
I mean, when I got to Brown, the place was riven, because you had older professors who were basically new critics and had been teaching a certain way for 30 years. And then you had this other gang who was down with the semiotic program. And as a student, you were, in a way, forced to choose which cohort you were going with.
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