A Quote by Lindsey Buckingham

I guess you can look at Fleetwood Mac as the 'Pirates Of The Caribbean' movies and my solo career as indie films. — © Lindsey Buckingham
I guess you can look at Fleetwood Mac as the 'Pirates Of The Caribbean' movies and my solo career as indie films.
Defining something being a Fleetwood Mac song is calling it a Fleetwood Mac song, you know? Nothing becomes Fleetwood Mac until that's what you call it.
Pirates are the very essence of profit maximising entrepreneurs described in neoclassical economics. Yet, whilst films such as 'The Pirates of the Caribbean' and 'Butch Cassidy and the Sundance Kid' have gone a long way to popularise both pirates and outlaw behaviour, the truth of the matter is that piracy is illegal, and it kills.
Certainly, whatever I learn while I'm out solo, I bring back to Fleetwood Mac.
When you're in a band with three writers, three great writers, you only get one third of the writer thing. So that's the whole reason that I did a solo career. And that's, you know, when I told Fleetwood Mac I was going to do that, they were of course terrified that I would do that record and then that I would quit.
Back in 1985, I was working on my third solo album when the band came to me and asked me to produce the next Fleetwood Mac project. At that point, I put aside my solo work - which was half finished - and committed myself for the next seventeen months to producing 'Tango in the Night.'
I've always been a huge fan of the 'Pirates of the Caribbean' movies.
I didn't know this about myself, but when 'Pirates of the Caribbean' came out I realised that I didn't enjoy a huge amount of recognition. I didn't react to it well, but I think life is about finding out who you are and what you like. So I started doing independent movies and art-house films instead.
I am part of this generation with 'Pirates of the Caribbean' and 'Peter Pan.' I think we all grew up in this culture of pirates.
When I finished the trilogy of 'Pirates of the Caribbean' movies, I had a gear shift and thought, 'I need to take a moment to smell the roses.'
When I discovered blues - I was 12-years-old - I didn't discover it in America where it was from; I discovered it from Fleetwood Mac - the original Peter Green Fleetwood Mac, Saveloy Brown - like British blues interpretations of it,' which then, when I started the liner notes and seeing all these names, I was like, 'Who's Willie Dixon?' Then I go to the record store and ask the guy there and he goes, 'Oh, you don't know anything.' And so, to me, that's the root of most of it anyway.
I have a tendency to drift toward action. Some of my favorite films are 'Mr. & Mrs. Smith,' 'The Dark Knight,' 'Inception,' 'The Fifth Element,' and 'Pirates of the Caribbean,' and 'The Avengers.'
It probably all started with The Beatles, and then I guess it goes out from there. Springsteen... Fleetwood Mac... I mean, that's all so inherent in us that when we're making records now, we take a lot from the artists who are around us.
I dont separate my work with the band from this solo project-Im sure the group could have recorded any of these, and they would have if the Fleetwood Mac project had come up at this time. I dont have any finished songs lying around.
It's great fun that my grandkids get to see the costumes in 'Alice in Wonderland' or a doll with grandma's dress, but then they also let me know they're bummed I didn't do any of the 'Pirates of the Caribbean' movies.
My second tattoo was a pirate ship on my arm. My friends and I, you know, we all called ourselves pirates, you know, so we felt like, you know,we was the pirates of the Caribbean around the way.
To some degree, I was very dubious of the 'Pirates of the Caribbean' idea - taking a theme park ride and turning into a film - even though they seemed to end up being quite fun films.
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